The Complete Works of Richard Crashaw, Volume ICrashaw, Richard
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The Complete Works of Richard Crashaw, Volume I
Crashaw, Richard
English poetry -- Early modern, 1500-1700
Collected,
Corrected,
Avgmented,
Most humbly Presented.
To
My Lady
The Covntesse of
DENBIGH
By
Her most deuoted Seruant.
R.C.
In heaty [_sic_] acknowledgment of his immortall
obligation to her Goodnes & Charity.
AT PARIS
By PETER TARGA, Printer to the Archbishope
ef [_sic_] Paris, in S. Victors streete at
the golden sunne.
M.DC.LII. [8vo]
Collation: Title-page; Verses by CAR, pp. 3; Verse-Letter to Countess of
Denbigh, pp. 3 [all unpaged]; the Poems, pp. 131. (See our Preface for
more on this and preceding and succeeding volumes, and for notice of a
separate edition of the Verse-Letter to the Countess of Denbigh.)
_4th edition, erroneously designated 2d edition_, 1670.
STEPS
TO THE
TEMPLE,
THE
DELIGHTS
Of The
Muses,
and
Carmen
Deo Nostro.
By _Ric. Crashaw_, sometimes Fellow of _Pembroke
Hall_, and late Fellow of _St. Peters
Colledge_ in _Cambridge_.
_The 2d. Edition._
In the Savoy,
Printed by T.N. for _Henry Herringham_ at the
_Blew Anchor_ in the _Lower Walk_ of the
_New Exchange_. 1670. [8vo]
Collation: Engraving of a 'Temple;' title-page; the Preface to the
Reader and the Author's Motto, pp. 8; the Table, pp. 6 [all unpaged];
'Steps,' pp. 77; 'Delights,' pp. 81-137; 'Carmen Deo Nostro, Te Decet
Hymnvs,' pp. 141-208. For later editions see our Preface, as before, and
for details on all, early and recent, and Manuscripts; and also our
Memorial-Introduction and Essay. The 'Preface' of 1646 was reprinted in
1648 without change, save a few slight orthographical differences, and
these: p. xlvi. line 3, 'their' for 'its dearest:' p. xlvii. line 1,
'subburd' for 'suburb:' and ibid, line 19, 'then' for 'than:' 1648 our
text. It follows this Note in its own place. G.
STEPS TO THE TEMPLE, &c.
THE PREFACE TO THE READER.
LEARNED READER,
The Author's friend will not usurpe much upon thy eye: This is onely for
those whom the name of our divine Poet hath not yet seized[11] into
admiration. I dare undertake that what JAMBLICUS[12] (_in vita
Pythagoræ_) affirmeth of his Master, at his contemplations, these Poems
can, viz. They shall lift thee, Reader, some yards above the ground:
and, as in _Pythagoras_ Schoole, every temper was first tuned into a
height by severall proportions of Musick, and spiritualiz'd for one of
his weighty lectures; so maist thou take a poem hence, and tune thy
soule by it, into a heavenly pitch;[13] and thus refined and borne up
upon the wings of meditation, in these Poems thou maist talke freely of
God, and of that other state.
Public-domain text, read in full here on John Shaqi.
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