6. 'The Recommendation.' The ascended Saviour looking down toward the Earth. Above, this line, Expostulatio Jesu Christi cum mundo ingrato. Beneath, a Latin poem of thirteen lines, which appears in its place in our Vol. II. 7. 'Sancta Maria Dolorum.' The Virgin Mary under the Cross with the instruments of the Passion, holding the dead Saviour in her arms. 8. 'Hymn of St. Thomas.' A Remonstrance. 'Ecce panis Angelorum.' 9. 'Dies Iræ.' The Last Judgment. 'Dies Iræ, dies illa.' 10. 'O Gloriosa Domina.' The Virgin Mary and Child. Angels hold a crown over her head, surmounted by the Holy Dove. Beneath: S. Maria Major. Dilectus meus mihi, et ego illi, Qui pascitur inter lilia. Cant. 11. 'The Weeper.' A female head, showing beneath, a bleeding and burning heart, surrounded by a glory. This couplet is below: Lo, where a wounded heart, with bleeding eyes conspire: Is she a flaming fountaine, or a weeping fire? 12. 'Hymn to St. Teresa.' Portrait: scroll above, inscribed 'Misericors Domini in æternum cantabo.' Beneath, 'La Vray Portraict de Ste. Terese, Fondatrice des Religieuses et Religieux réformez de l'ordre de N. Dame de mont Carmel: Décédée le 4e Octo. 1582. Canonisée le 12e Mars 1622.' Besides these TWELVE, I discovered another in illustration of 'O Gloriosa Domina,' substituted for No. 10 in the very fine copy of the volume in the Douce Collection in the Bodleian. I have the satisfaction of furnishing admirable reproductions in fac-simile of Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, and 12, and by the kindness of the Bodleian Trustees, the unique illustration for No. 10. No. 11 by my friend W.J. LINTON, Esq. The whole of these belong exclusively to our illustrated quarto edition, and the impressions taken have been strictly limited thereto, and a very few for my own gift-use.