The Complete Works of Richard Crashaw, Volume IICrashaw, Richard
General
The Complete Works of Richard Crashaw, Volume II
Crashaw, Richard
English poetry -- Early modern, 1500-1700
Those turrets gay of costly masonry,
And larger palaces, are not now thy roome;
But in a coffin of small quantity
Thou lyest interrèd in a little tombe.
. . . . .
O wretched flesh, with me that art forlorne,
If thou couldst know how sharpe our punishment;
How justly mightest thou wish not to be borne,
Or from the wombe to tombe to have been hent!
. . . . .
How lik'st thou now, poor foole, thy latter lodging,
The roofe whereof lyes even with thy nose?
Thy eyes are shut, thy tongue cannot be cogging;
Nothing of profit rests at thy dispose.
. . . . .
Thy garments, wretched fool, are farre from rich;
Thy upper garment hardly worth a scute;
A little linnen shrouds thee in thy ditch,
No rents nor gifts men bring, nor make their suite.'
Again, st. 79-81:
'If I be clad in rich array,
And well attended every day,
Both wise and good I shal be thoght,
My kinred also shall be sought.
I am, say men, the case is cleere,
Your cosen, sir, a kinsman neere.
But if the world doe change and frowne,
Our kinred is no longer knowne;
Nor I remembred any more
By them that honoured me before.
O vanity! vile love of mucke,
Foule poyson, wherefore hast thou stucke
Thyselfe so deepe, to raise so high
Things vanishing so suddenly?'
In a 'Manvall for true Catholicks, or a Handfvll, or rather a Heartfull
of holy Meditations and Prayers, gathered out of certaine ancient
Manuscripts, written 300 yeeres agoe, or more,' which is usually bound
up with the 'Querela,' there is no little striking thought and
word-painting, combined with a parsimony of epithet, and a naked and yet
imaginative echo of the monkish Latin, singularly impressive. Passing
the 'Orthodoxall Confessions of God the Father' and 'Sonne' and 'Holy
Ghost,' though all have many memorable things--I would close our
specimens with one complete poem from the 'Manvall.' It is entitled 'The
Conclusion, with a devout and holy prayer;' the word 'prayer' reminding
us that in his Prayers herein and in his 'Milke for Babes' (1618, and
several later), Crashaw is lowly and devout, and simply a sinner holding
the Christian's hope. The remark applies also to much of his celebration
of 'Carraciolo,' the Italian convert and 'Second Moses' (1608).
Public-domain text, read in full here on John Shaqi.
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