There are always exceptional people and modes. English grandees affect
to be farmers. Claverhouse is a fop, and, under the finish of dress,
and levity of behavior, hides the terror of his war. But Nature and
Destiny are honest, and never fail to leave their mark, to hang out a
sign for each and for every quality. It is much to conquer one’s face,
and perhaps the ambitious youth thinks he has got the whole secret when
he has learned, that disengaged manners are commanding. Don’t be
deceived by a facile exterior. Tender men sometimes have strong wills.
We had, in Massachusetts, an old statesman, who had sat all his life in
courts and in chairs of state, without overcoming an extreme
irritability of face, voice, and bearing: when he spoke, his voice would
not serve him; it cracked, it broke, it wheezed, it piped;—little cared
he; he knew that it had got to pipe, or wheeze, or screech his argument
and his indignation. When he sat down, after speaking, he seemed in a
sort of fit, and held on to his chair with both hands: but underneath
all this irritability, was a puissant will, firm, and advancing, and a
memory in which lay in order and method like geologic strata every fact
of his history, and under the control of his will.
Manners are partly factitious, but, mainly, there must be capacity for
culture in the blood. Else all culture is vain. The obstinate
prejudice in favor of blood, which lies at the base of the feudal and
monarchical fabrics of the old world, has some reason in common
experience. Every man,—mathematician, artist, soldier, or
merchant,—looks with confidence for some traits and talents in his own
child, which he would not dare to presume in the child of a stranger.
The Orientalists are very orthodox on this point. "Take a thorn-bush,"
said the emir Abdel-Kader, "and sprinkle it for a whole year with
water;—it will yield nothing but thorns. Take a date-tree, leave it
without culture, and it will always produce dates. Nobility is the
date-tree, and the Arab populace is a bush of thorns."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account