When I brought out "The Handwriting of God," following Mrs. Graves's
story of the books, he looked thoughtful. And indeed by the end of the
recital he was very grave.
"Sprague is a lunatic," he said, with conviction. "There was a body, and
it went into the river in the packing-case. It is distinctly possible
that this Knight--or Wright--woman, who owned the handkerchief, was the
victim. However, that's for later on. The plain truth is, that there was
a murder, and that Miss Emily is shielding some one else."
And, after all, that was the only immediate result of Willie's visit--a
new theory! So that now it stood: there was a crime. There was no crime.
Miss Emily had committed it. Miss Emily had not committed it. Miss Emily
had confessed it, but some one else had committed it.
For a few hours, however, our attention was distracted from Miss Emily
and her concerns by the attempted robbery of the house that night.
I knew nothing of it until I heard Willie shouting downstairs. I was
deeply asleep, relaxed no doubt by the consciousness that at last there
was a man in the house. And, indeed, Maggie slept for the same reason
through the entire occurrence.
"Stop, or I'll fire!" Willie repeated, as I sat up in bed.
I knew quite well that he had no weapon. There was not one in the house.
But the next moment there was a loud report, either a door slamming or a
pistol-shot, and I ran to the head of the stairs.
There was no light below, but a current of cool night air came up the
staircase. And suddenly I realized that there was complete silence in
the house.
"Willie!" I cried out, in an agony of fright. But he did not reply. And
then, suddenly, the telephone rang.
I did not answer it. I know now why it rang, that there was real anxiety
behind its summons. But I hardly heard it then. I was convinced that
Willie had been shot.
I must have gone noiselessly down the stairs, and at the foot I ran
directly into Willie. He was standing there, only a deeper shadow in
the blackness, and I had placed my hand over his, as it lay on the
newel-post, before he knew I was on the staircase. He wheeled sharply,
and I felt, to my surprise, that he held a revolver in his hand.
"Willie! What is it?" I said in a low tone.
"'Sh," he whispered. "Don't move--or speak."
We listened, standing together. There were undoubtedly sounds outside,
some one moving about, a hand on a window-catch, and finally not
particularly cautious steps at the front door. It swung open. I could
hear it creak as it moved slowly on its hinges.
I put a hand out to steady myself by the comfort of Willie's presence
before me, between me and that softly-opening door. But Willie was
moving forward, crouched down, I fancied, and the memory of that
revolver terrified me.
"Don't shoot him, Willie!" I almost shrieked.
"Shoot whom?" said Willie's cool voice, just inside the door.
Public-domain text, read in full here on John Shaqi.
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