It was this air of the spotless sky, where shone so much glory, where glistened so many swords, that the youth of the time breathed. They well knew that they were destined to the hecatomb; but they regarded Murat as invulnerable, and the emperor had been seen to cross a bridge where so many bullets whistled that they wondered if he could die. And even if one must die, what did it matter? Death itself was so beautiful, so noble, so illustrious, in his battle-scarred purple! It borrowed the color of hope, it reaped so many ripening harvests that it became young, and there was no more old age. All the cradles of France, as all its tombs, were armed with shield and buckler; there were no more old men, there were corpses or demi-gods. Nevertheless, the immortal emperor stood one day on a hill watching seven nations engaged in mutual slaughter; as he did not know whether he would be master of all the world or only half, Azrael passed along, touched him with the tip of his wing, and pushed him into the Ocean. At the noise of his fall, the dying powers sat up in their beds of pain; and stealthily advancing with furtive tread, all the royal spiders made the partition of Europe, and the purple of Caesar became the frock of Harlequin. Just as the traveler, sure of his way, hastens night and day through rain and sunlight, regardless of vigils or of dangers; but when he has reached his home and seated himself before the fire, he is seized upon by a feeling of extreme lassitude and can hardly drag himself to his bed: thus France, the widow of Caesar, suddenly felt her wound. She fell through sheer exhaustion, and lapsed into a sleep so profound that her old kings, believing her dead, wrapped about her a white shroud. The old army, its hair whitened in service, returned exhausted with fatigue, and the hearths of deserted castles sadly flickered into life. Then the men of the Empire, who had been through so much, who had lived in such carnage, kissed their emaciated wives and spoke of their first love; they looked into the fountains of their natal prairies and found themselves so old, so mutilated, that they bethought themselves of their sons, in order that they might close their eyes in peace. They asked where they were; the children came from the schools, and seeing neither sabers, nor cuirasses, neither infantry nor cavalry, they asked in turn where were their fathers. They were told that the war was ended, that Caesar was dead, and that the portraits of Wellington and of Blucher were suspended in the antechambers of the consulates and the embassies, with these two words beneath: _Salvatoribus mundi_.