The Confession of a Child of the Century — CompleteMusset, Alfred de
General
The Confession of a Child of the Century — Complete
Musset, Alfred de
France -- Fiction; French fiction -- Translations into English; Historical fiction
“Octave,” he said, “after what has happened to you, I see that you
believe in love such as the poets and romancers have represented; in a
word, you believe in what is said here below and not in what is done.
That is because you do not reason soundly, and it may lead you into
great misfortune.
“Poets represent love as sculptors design beauty, as musicians create
melody; that is to say, endowed with an exquisite nervous organization,
they gather up with discerning ardor the purest elements of life,
the most beautiful lines of matter, and the most harmonious voices of
nature. There lived, it is said, at Athens a great number of beautiful
girls; Praxiteles drew them all one after another; then from these
diverse types of beauty, each one of which had its defects, he formed a
single faultless beauty and created Venus. The man who first created a
musical instrument, and who gave to harmony its rules and its laws, had
for a long time listened to the murmuring of reeds and the singing of
birds. Thus the poets, who understand life, after knowing much of love,
more or less transitory, after feeling that sublime exaltation which
real passion can for the moment inspire, eliminating from human nature
all that degrades it, created the mysterious names which through the
ages fly from lip to lip: Daphnis and Chloe, Hero and Leander, Pyramus
and Thisbe.
“To try to find in real life such love as this, eternal and absolute,
is but to seek on public squares a woman such as Venus, or to expect
nightingales to sing the symphonies of Beethoven.
“Perfection does not exist; to comprehend it is the triumph of human
intelligence; to desire to possess it, the most dangerous of follies.
Open your window, Octave; do you not see the infinite? You try to form
some idea of a thing that has no limits, you who were born yesterday and
who will die to-morrow! This spectacle of immensity in every country in
the world produces the wildest illusions. Religions are born of it;
it was to possess the infinite that Cato cut his throat, that the
Christians delivered themselves to lions, the Huguenots to the
Catholics; all the people of the earth have stretched out their hands
to that immensity and have longed to plunge into it. The fool wishes
to possess heaven; the sage admires it, kneels before it, but does not
desire it.
“Perfection, my friend, is no more made for us than immensity. We must
seek for nothing in it, demand nothing of it, neither love nor beauty,
happiness nor virtue; but we must love it if we would be virtuous, if we
would attain the greatest happiness of which man is capable.
Public-domain text, read in full here on John Shaqi.
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