The Confessions of a BeachcomberBanfield, E. J. (Edmund James)
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The Confessions of a Beachcomber
Banfield, E. J. (Edmund James)
Dunk Island (Qld.); Natural history -- Australia -- Queensland
The swamp pheasant, or pheasant coucal (CENTROPUS PHASIANUS) is also an
early bird, and a bird of varied linguistic capabilities. Folks are apt
to associate with him but one note, and that resembling the mellow gurgle
of cream from a bottle, "Glooc! glooc! glooc! glooc!" An intimate
knowledge of his conversational powers leads one to conclude that there
are few birds more widely accomplished in that direction. He does use the
fluid phrase mentioned, but his notes and those of his consort cover
quite a range of exclamations and calls. Just as I write a pair appeal
for a just recognition of their accomplishments. That which I assume to
be the lord and master utters a loud resonant "Toom! toom! toom! toom"
a smooth trombonic sound, "hollow to the reverberate hills," which his
consort answers with a series of "Tum! tum tum! tum!" on a higher but
still harmonious key, and in accelerated tempo. This, I fancy, is the
lover's serenade, and the soft assenting answer; almost invariably the
loud hollow sound is the opening phrase of the duet. "Sole or responsive
to each other's note," the birds make the forest resound again during the
day, especially in the prime months, and even these notes find varied and
pleasing expression. Free and joyous as a rule, occasionally they seem to
indicate sadness and gloom. During and after a bush fire the birds give
to the notes a mournful cadence like the memories of joy that are past, a
lament for the destruction of the grass among which last year's
dome-shaped nests were hidden. The swamp pheasant also utters a contented,
self-complacent chuckle, that resembles the "Goo! goo! goo!" of a happy
infant, and occasionally a succession of grating, discordant, mocking
sounds, "Tcharn! tcharn! tcharn!" The chuckle may be an expression as if
gloating over the detection and assimilation of some favourite dainty,
and the harsh notes a demonstration of rivalry, anger and hostility. The
more familiar and more frequent note is the "Toom," repeated about
fourteen or sixteen times, and the thinner, softer response.
Public-domain text, read in full here on John Shaqi.
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