The Confessions of a BeachcomberBanfield, E. J. (Edmund James)
History
The Confessions of a Beachcomber
Banfield, E. J. (Edmund James)
Dunk Island (Qld.); Natural history -- Australia -- Queensland
The bird resembles in plumage a pheasant. Cumbersome and slow of flight,
clumsy in alighting, he frequently loses his equilibrium, and is
compelled to use his long tail as a counter-balance, as he jumps from
branch to branch ascending a tree, in order to gain elevation, whence to
swoop and flop across the intervening space to the next. When compelled to
take wing from a low elevation, the flight is slow and laboured in the
extreme. He is a handsome fellow, the ruling colours being glossy black,
brown and reddish chestnut. One writer describes the bird as half hawk,
half pheasant, another as a non-parasitic cuckoo; another "really a
cuckoo"; another a swamp or tree parrot with the foot of a lark. Without
daring to attempt to dispute any of these descriptions, I may say that
the bird is a decided character and possesses the charm of originality.
He has become so confiding that he will perch on the gatepost as one
enters, assuming a fierce and resentful aspect, and he will play "hawk"
to the startled fowls. He eats the eggs of other birds and kills chicks;
but his murderous instincts are rarely exhibited, and then only, perhaps,
when his passions are aroused. He does not (as far as my observation
goes) kill for food, but merely because Nature gives him at certain times
and seasons a fiery, jealous disposition, and a truculent determination
to protect his family.
"GO-BIDGER-ROO!"
As the sun shines over the range, the plaintive cooing of the little blue
dove, such as picked the rice grains from the bowl beside rapt Buddha's
hands, comes up from among the scented wattles on the flat, the gentlest
and meekest of all the converse of the birds. The nervous yet fluty tones
are as an emphatic a contrast to the vehement interjections and commands
of the varied honey-cater (PTILOTIS VERSICOLOR)--now at the first
outburst--as is the swiftly foreshortening profile of the range to the
glare in which all the foreground quivers.
Once aroused, the varied honey-eater is wide awake. His restlessness is
equalled only by his impertinent exclamations. He shouts his own
aboriginal title, "Go-bidger-roo!" "Put on your boots!"
"Which--which-which way-which way-which way you go!" "Get your whip!" "Get
your whip!" "You go!" "You go!" "None of your cheek!" "None of your
cheek!" "Here-here!" And darts out with a fluster from among the hibiscus
bushes on the beach away up to the top of the melaleuca tree; pauses to
sample the honey from the yellow flowers of the gin-gee, and down to the
scarlet blooms of the flame tree, across the pandanus palms and to the
shady creek for his morning bath and drink, shouting without ceasing his
orders and observations. He is always with us, though not always as noisy
as in the prime of the year--a cheerful, prying, frisky creature, always
going somewhere or doing something in a red-hot hurry, and always making
a song of it--a veritable babbler. His love-making is passionate and
impulsive, joyous almost to rowdyism.
Public-domain text, read in full here on John Shaqi.
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