"Well, that is the most extraordinary, the most astounding part of the
story. Once a year, Charles d'Ernemont, impelled by a sort of
subconscious will-power, came downstairs, took the exact road which his
father had taken, walked across the garden and sat down either on the
steps of the rotunda, which you see here, in the picture, or on the kerb
of the well. At twenty-seven minutes past five, he rose and went indoors
again; and until his death, which occurred in 1820, he never once failed
to perform this incomprehensible pilgrimage. Well, the day on which this
happened was invariably the 15th of April, the anniversary of the
arrest."
Maitre Valandier was no longer smiling and himself seemed impressed by
the amazing story which he was telling us.
"And, since Charles's death?" asked Lupin, after a moment's reflection.
"Since that time," replied the lawyer, with a certain solemnity of
manner, "for nearly a hundred years, the heirs of Charles and Pauline
d'Ernemont have kept up the pilgrimage of the 15th of April. During the
first few years they made the most thorough excavations. Every inch of
the garden was searched, every clod of ground dug up. All this is now
over. They take hardly any pains. All they do is, from time to time, for
no particular reason, to turn over a stone or explore the well. For the
most part, they are content to sit down on the steps of the rotunda,
like the poor madman; and, like him, they wait. And that, you see, is
the sad part of their destiny. In those hundred years, all these people
who have succeeded one another, from father to son, have lost--what
shall I say?--the energy of life. They have no courage left, no
initiative. They wait. They wait for the 15th of April; and, when the
15th of April comes, they wait for a miracle to take place. Poverty has
ended by overtaking every one of them. My predecessors and I have sold
first the house, in order to build another which yields a better rent,
followed by bits of the garden and further bits. But, as to that corner
over there," pointing to the picture, "they would rather die than sell
it. On this they are all agreed: Louise d'Ernemont, who is the direct
heiress of Pauline, as well as the beggars, the workman, the footman,
the circus-rider and so on, who represent the unfortunate Charles."
There was a fresh pause; and Lupin asked:
"What is your own opinion, Maitre Valandier?"
"My private opinion is that there's nothing in it. What credit can we
give to the statements of an old servant enfeebled by age? What
importance can we attach to the crotchets of a madman? Besides, if the
farmer-general had realized his fortune, don't you think that that
fortune would have been found? One could manage to hide a paper, a
document, in a confined space like that, but not treasures."
"Still, the pictures?..."
"Yes, of course. But, after all, are they a sufficient proof?"
Public-domain text, read in full here on John Shaqi.
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