The Confessions of Harry Lorrequer — Complete — John Shaqi
The Confessions of Harry Lorrequer — CompleteLever, Charles
General
The Confessions of Harry Lorrequer — Complete
Lever, Charles
Fiction
Truly, thought I, there is no equanimity like his who acts as your
second in a duel. The gentlemanlike urbanity with which he waits on the
opposite friend—the conciliating tone with which he proffers implacable
enmity—the killing kindness with which he refuses all accommodation—the
Talleyrand air of his short notes, dated from the “Travellers,” or
“Brookes,” with the words 3 o’clock or 5 o’clock on the cover, all
indicative of the friendly precipitancy of the negociation. Then, when
all is settled, the social style with which he asks you to take a
“cutlet” with him at the “Clarendon,” not to go home—are only to be
equalled by the admirable tact on the ground—the studiously elegant
salute to the adverse party, half a la Napoleon, and half Beau
Brummell—the politely offered snuff-box—the coquetting raillery about
10 paces or 12—are certainly the beau ideal of the stoicism which
preludes sending your friend out of the world like a gentleman.
How very often is the face of external nature at variance with the
thoughts and actions—“the sayings and doings” we may be most intent
upon at the moment. How many a gay and brilliant bridal party has
wended its way to St. George’s, Hanover-square, amid a downpour of
rain, one would suppose sufficient to quench the torch of Hymen, though
it burned as brightly as Capt. Drummond’s oxygen light; and on the
other hand, how frequently are the bluest azure of heaven and the most
balmy airs shed upon the heart bursting with affliction, or the head
bowed with grief; and without any desire to impugn, as a much high
authority has done, the moral character of the moon, how many a scene
of blood and rapine has its mild radiance illumined. Such reflections
as these came thronging to my mind, as on the afternoon of Tuesday I
neared the little village of our rendezvous.
The scene which in all its peaceful beauty lay before me, was truly a
bitter contrast to the occasion that led me thither. I stood upon a
little peninsula which separates the Shannon from the wide Atlantic. On
one side the placed river flowed on its course, between fields of
waving corn, or rich pasturage—the beautiful island of Scattery, with
its picturesque ruins reflected in the unrippled tide—the cheerful
voices of the reapers, and the merry laugh of the children were mingled
with the seaman’s cry of the sailors, who were “heaving short” on their
anchor, to take the evening tide. The village, which consisted of
merely a few small cabins, was still from its situation a pleasing
object in the picture, and the blue smoke that rose in slender columns
from the humble dwellings, took from the scene its character of
loneliness, and suggested feelings of home and homely enjoyments, which
human habitations, however lowly, never fail to do.
Public-domain text, read in full here on John Shaqi.
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