Having found so many good people in my youth, why do I find so few in my age? Is their race extinct? No; but I do not seek them in the same situation I did formerly, among the commonality, where violent passions predominate only at intervals, and where nature speaks her genuine sentiments. In more elevated stations they are entirely smothered, and under the mask of sentiment, only interest or vanity is heard. Having written to my father from Lausanne, he sent my packet and some excellent advice, of which I should have profited better. I have already observed that I have moments of inconceivable delirium, in which I am entirely out of myself. The adventure I am about to relate is an instance of this: to comprehend how completely my brain was turned, and to what degree I had 'Venturised' (if I may be allowed the expression), the many extravagances I ran into at the same time should be considered. Behold me, then, a singing master, without knowing how to note a common song; for if the five or six months passed with Le Maitre had improved me, they could not be supposed sufficient to qualify me for such an undertaking; besides, being taught by a master was enough (as I have before observed) to make me learn ill. Being a Parisian from Geneva, and a Catholic in a Protestant country, I thought I should change my name with my religion and country, still approaching as near as possible to the great model I had in view. He called himself Venture de Villeneuve. I changed, by anagram, the name Rousseau into that of Vaussore, calling myself Monsieur Vaussore de Villeneuve. Venture was a good composer, though he had not said so; without knowing anything of the art, I boasted of my skill to every one. This was not all: being presented to Monsieur de Freytorens, professor of law, who loved music, and who gave concerts at his house, nothing would do but I must give him a proof of my talents, and accordingly I set about composing a piece for his concerts, as boldly as if I had really understood the science. I had the constancy to labor a fortnight at this curious business, to copy it fair, write out the different parts, and distribute them with as much assurance as if they had been masterpieces of harmony; in short (what will hardly be believed, though strictly true), I tacked a very pretty minuet to the end of it, that was commonly played about the streets, and which many may remember from these words, so well known at that time: Quel caprice! Quel injustice! Quio, tu Clarice Trahiriot tes feux? &'c.