The Conflict of Religions in the Early Roman EmpireGlover, T. R. (Terrot Reaveley)
Religion
The Conflict of Religions in the Early Roman Empire
Glover, T. R. (Terrot Reaveley)
Christianity and other religions; Church history -- Primitive and early church, ca. 30-600; Rome -- Religion
"Lo! I come in answer, Lucius, to thy prayers, I mother of Nature,
mistress of all the elements, initial offspring of ages, chief of
divinities, queen of the dead, first of the heavenly ones, in one form
expressing all gods and goddesses. I rule with my rod the bright
pinnacles of heaven, the healthful breezes of the sea, the weeping
silence of the world below. My sole godhead, in many an aspect, with
many a various rite, and many a name, all the world worships." Some of
these names she recites, and then declares her "true name, Queen
Isis."[95] The next day is her festival, she says, and her priest,
taught by her in a dream, will tender Lucius the needful roses; he will
eat and be a man again. But hereafter all his life must be devoted to
the goddess, and then in the Elysian fields he shall see her again,
shining amid the darkness of Acheron, propitious to him.
The next day all falls as predicted. The procession of Isis is
elaborately described.[96] The prelude of the pomp is a series of men
dressed in various characters,--one like a soldier, another like a
woman, others like a gladiator, a philospher and so forth. There is a
tame bear dressed like a woman, and a monkey "in a Phrygian garment of
saffron." Then come women in white, crowned with flowers, some with
mirrors hanging on their backs, some carrying ivory combs. Men and
women follow with torches and lamps; then a choir of {236} youths in
white, singing a hymn, and fluteplayers dedicated to Serapis. After
this a crowd of initiates of both sexes, of every age and degree,
dressed in white linen and carrying sistra,--the men with shaven heads.
Then came five chief priests with emblems, and after them the images of
the gods borne by other priests--Anubis with his dog's head, black and
gold--after him the figure of a cow "the prolific image of the
all-mother goddess" ("which one of this blessed ministry bore on his
shoulder, with mimicking gait")--then an image of divinity, like
nothing mortal, an ineffable symbol, worthy of all veneration for its
exquisite art. At this point came the priest with the promised
roses--"my salvation"--and Lucius ate and was a man again. The priest,
in a short homily, tells him he has now reached the haven of quiet;
Fortune's blindness has no more power over him; he is taken to the
bosom of a Fortune who can see, who can illuminate even the other gods.
Let him rejoice and consecrate his life to the goddess, undertake her
warfare and become her soldier.[97]
The pomp moves onward till they reach the shore, and there a sacred
ship is launched--inscribed with Egyptian hieroglyphics, purified with
a burning torch, an egg, and sulphur, on her sail a vow written in
large letters. She is loaded with aromatics; and "filled with copious
gifts and auspicious prayers" she sails away before a gentle breeze and
is lost to sight. The celebrants then return to the temple, but we
have perhaps followed them far enough.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account