Oh, proud Russian dancer: praise for your dancing.
No clean human passion my rhyme would arraign.
You dance for Apollo with noble devotion,
A high cleansing revel to make the heart sane.
But Judith the dancer prays to a spirit
More white than Apollo and all of his train.
I know a dancer who finds the true Godhead,
Who bends o'er a brazier in Heaven's clear plain.
I know a dancer, I know a dancer,
Who lifts us toward peace, from this earth that is vain:
Judith the dancer, Judith the dancer,
With foot like the snow, and with step like the rain.
In Praise of Songs that Die
After having read a Great Deal of Good Current Poetry in the Magazines
and Newspapers
Ah, they are passing, passing by,
Wonderful songs, but born to die!
Cries from the infinite human seas,
Waves thrice-winged with harmonies.
Here I stand on a pier in the foam
Seeing the songs to the beach go home,
Dying in sand while the tide flows back,
As it flowed of old in its fated track.
Oh, hurrying tide that will not hear
Your own foam-children dying near:
Is there no refuge-house of song,
No home, no haven where songs belong?
Oh, precious hymns that come and go!
You perish, and I love you so!
Factory Windows are always Broken
Factory windows are always broken.
Somebody's always throwing bricks,
Somebody's always heaving cinders,
Playing ugly Yahoo tricks.
Factory windows are always broken.
Other windows are let alone.
No one throws through the chapel-window
The bitter, snarling, derisive stone.
Factory windows are always broken.
Something or other is going wrong.
Something is rotten--I think, in Denmark.
_End of the factory-window song_.
To Mary Pickford
Moving-picture Actress
(On hearing she was leaving the moving-pictures for the stage.)
Mary Pickford, doll divine,
Year by year, and every day
At the moving-picture play,
You have been my valentine.
Once a free-limbed page in hose,
Baby-Rosalind in flower,
Cloakless, shrinking, in that hour
How our reverent passion rose,
How our fine desire you won.
Kitchen-wench another day,
Shapeless, wooden every way.
Next, a fairy from the sun.
Once you walked a grown-up strand
Fish-wife siren, full of lure,
Snaring with devices sure
Lads who murdered on the sand.
But on most days just a child
Dimpled as no grown-folk are,
Cold of kiss as some north star,
Violet from the valleys wild.
Snared as innocence must be,
Fleeing, prisoned, chained, half-dead--
At the end of tortures dread
Roaring cowboys set you free.
Fly, O song, to her to-day,
Like a cowboy cross the land.
Snatch her from Belasco's hand
And that prison called Broadway.
All the village swains await
One dear lily-girl demure,
Saucy, dancing, cold and pure,
Elf who must return in state.
Blanche Sweet
Moving-picture Actress
Public-domain text, read in full here on John Shaqi.
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