The Conjure WomanChesnutt, Charles W. (Charles Waddell)
General
The Conjure Woman
Chesnutt, Charles W. (Charles Waddell)
African Americans -- Fiction; Southern States -- Social life and customs -- Fiction
One day my wife requested me to build her a new kitchen. The house
erected by us, when we first came to live upon the vineyard, contained a
very conveniently arranged kitchen; but for some occult reason my wife
wanted a kitchen in the back yard, apart from the dwelling-house, after
the usual Southern fashion. Of course I had to build it.
To save expense, I decided to tear down the old schoolhouse, and use the
lumber, which was in a good state of preservation, in the construction
of the new kitchen. Before demolishing the old house, however, I made an
estimate of the amount of material contained in it, and found that I
would have to buy several hundred feet of lumber additional, in order to
build the new kitchen according to my wife's plan.
One morning old Julius McAdoo, our colored coachman, harnessed the gray
mare to the rockaway, and drove my wife and me over to the sawmill from
which I meant to order the new lumber. We drove down the long lane which
led from our house to the plank-road; following the plank-road for about
a mile, we turned into a road running through the forest and across the
swamp to the sawmill beyond. Our carriage jolted over the half-rotted
corduroy road which traversed the swamp, and then climbed the long hill
leading to the sawmill. When we reached the mill, the foreman had gone
over to a neighboring farmhouse, probably to smoke or gossip, and we
were compelled to await his return before we could transact our
business. We remained seated in the carriage, a few rods from the mill,
and watched the leisurely movements of the mill-hands. We had not waited
long before a huge pine log was placed in position, the machinery of the
mill was set in motion, and the circular saw began to eat its way
through the log, with a loud whir which resounded throughout the
vicinity of the mill. The sound rose and fell in a sort of rhythmic
cadence, which, heard from where we sat, was not unpleasing, and not
loud enough to prevent conversation. When the saw started on its second
journey through the log, Julius observed, in a lugubrious tone, and with
a perceptible shudder:--
"Ugh! but dat des do cuddle my blood!"
"What's the matter, Uncle Julius?" inquired my wife, who is of a very
sympathetic turn of mind. "Does the noise affect your nerves?"
"No, Mis' Annie," replied the old man, with emotion, "I ain' narvous;
but dat saw, a-cuttin' en grindin' thoo dat stick er timber, en moanin',
en groanin,' en sweekin', kyars my 'memb'ance back ter ole times, en
'min's me er po' Sandy." The pathetic intonation with which he
lengthened out the "po' Sandy" touched a responsive chord in our own
hearts.
Public-domain text, read in full here on John Shaqi.
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