The Conjure WomanChesnutt, Charles W. (Charles Waddell)
General
The Conjure Woman
Chesnutt, Charles W. (Charles Waddell)
African Americans -- Fiction; Southern States -- Social life and customs -- Fiction
He resumed his seat with somewhat of embarrassment. While he had been
standing, I had observed that he was a tall man, and, though slightly
bowed by the weight of years, apparently quite vigorous. He was not
entirely black, and this fact, together with the quality of his hair,
which was about six inches long and very bushy, except on the top of his
head, where he was quite bald, suggested a slight strain of other than
negro blood. There was a shrewdness in his eyes, too, which was not
altogether African, and which, as we afterwards learned from experience,
was indicative of a corresponding shrewdness in his character. He went
on eating the grapes, but did not seem to enjoy himself quite so well as
he had apparently done before he became aware of our presence.
"Do you live around here?" I asked, anxious to put him at his ease.
"Yas, suh. I lives des ober yander, behine de nex' san'-hill, on de
Lumberton plank-road."
"Do you know anything about the time when this vineyard was cultivated?"
"Lawd bless you, suh, I knows all about it. Dey ain' na'er a man in dis
settlement w'at won' tell you ole Julius McAdoo 'uz bawn en raise' on
dis yer same plantation. Is you de Norv'n gemman w'at's gwine ter buy
de ole vimya'd?"
"I am looking at it," I replied; "but I don't know that I shall care to
buy unless I can be reasonably sure of making something out of it."
"Well, suh, you is a stranger ter me, en I is a stranger ter you, en we
is bofe strangers ter one anudder, but 'f I 'uz in yo' place, I wouldn'
buy dis vimya'd."
"Why not?" I asked.
"Well, I dunno whe'r you b'lieves in cunj'in' er not,--some er de w'ite
folks don't, er says dey don't,--but de truf er de matter is dat dis yer
ole vimya'd is goophered."
"Is what?" I asked, not grasping the meaning of this unfamiliar word.
"Is goophered,--cunju'd, bewitch'."
He imparted this information with such solemn earnestness, and with such
an air of confidential mystery, that I felt somewhat interested, while
Annie was evidently much impressed, and drew closer to me.
"How do you know it is bewitched?" I asked.
"I wouldn' spec' fer you ter b'lieve me 'less you know all 'bout de
fac's. But ef you en young miss dere doan' min' lis'nin' ter a ole
nigger run on a minute er two w'ile you er restin', I kin 'splain to you
how it all happen'."
We assured him that we would be glad to hear how it all happened, and he
began to tell us. At first the current of his memory--or
imagination--seemed somewhat sluggish; but as his embarrassment wore
off, his language flowed more freely, and the story acquired perspective
and coherence. As he became more and more absorbed in the narrative, his
eyes assumed a dreamy expression, and he seemed to lose sight of his
auditors, and to be living over again in monologue his life on the old
plantation.
Public-domain text, read in full here on John Shaqi.
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