The Conqueror: Being the True and Romantic Story of Alexander HamiltonAtherton, Gertrude Franklin Horn
General
The Conqueror: Being the True and Romantic Story of Alexander Hamilton
Atherton, Gertrude Franklin Horn
Hamilton, Alexander, 1757-1804 -- Fiction
It is doubtful if he understood the full force of the attraction between
them. The real energy and deliberation, the unswerving purpose in her
magnetized the weakness at the roots of his ardent, impulsive, but
unstable character. Moreover, in spite of the superlative passion which
he had aroused in her, she lacked the animal magnetism which was his in
abundance. Her oneness was a magnet for his gregariousness and
concentrated it upon herself. That positive quality in him overwhelmed
and intoxicated her; and in intellect he was far more brilliant and far
less profound than herself. His wit and mental nimbleness stung and
pricked the serene layers which she had carefully superimposed in her
own mind to such activities as mingled playfully with his lighter moods
or stimulated him in more intellectual hours. While the future was yet
unbroken and imagination remodelled the face of the world, there were
moments when both were exalted with a sense of completeness, and
terrified, when apart, with a hint of dissolution into unrelated
particles.
When a man and woman arrive at that stage of reasoning and feeling, it
were idle for their chronicler to moralize; her part is but to tell the
story.
XI
Mary Fawcett encouraged her daughter's social activity, and as
Hamilton's name entered the rapid accounts of revels and routs in the
most casual manner, she endeavoured to persuade herself that the madness
had passed with a languid afternoon. She was a woman of the world, but
the one experience that develops deepest insight had passed her by, and
there were shades and moods of the master passion over which her sharp
eyes roved without a shock.
As she was too feeble to sit up after nine o'clock, she refused to open
her doors for the crab hunt, but gave Rachael the key of a little villa
on the crest of a peak behind the house, and told her to keep her
friends all night if she chose.
This pavilion, designed for the hotter weeks of the hurricane season,
but seldom used by the Fawcetts, was a small stone building, with two
bedrooms and a living room, a swimming bath, and several huts for
servants. The outbuildings were dilapidated, but the house after an
airing and scrubbing was as fit for entertainment as any on St. Kitts.
The furniture in the Tropics is of cane, and there are no carpets or
hangings to invite destruction. Even the mattresses are often but
plaited thongs of leather, covered with strong linen, and stretched
until they are hard as wood. All Mary Fawcett's furniture was of
mahogany, the only wood impervious to the boring of the West Indian
worm. This tiny house on the mountain needed but a day's work to clean
it, and another to transform it into an arbour of the forest. The walls
of the rooms were covered with ferns, orchids, and croton leaves. Gold
and silver candelabra had been carried up from the house, and they would
hold half a hundred candles.
Public-domain text, read in full here on John Shaqi.
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