The Conquest of America: A Romance of Disaster and Victory, U.S.A., 1921 A.D.Moffett, Cleveland
History
The Conquest of America: A Romance of Disaster and Victory, U.S.A., 1921 A.D.
Moffett, Cleveland
Imaginary wars and battles -- Fiction; Science fiction
During the cheers that followed this harangue, my attention was drawn to
an agitated group on the platform, the central figure being Bernard
Ridder, recognised leader of the large German-American population of New
York City that had remained staunchly loyal in the crisis. Presently a
clamour from the crowd outside, sharper and fiercer than any that had
preceded it, announced some new and unexpected danger close at hand.
White-faced, Mr. Ridder stepped to the edge of the platform and lifted
his hand impressively.
“Let me speak,” he said. “I must speak in justice to myself and to half a
million German-Americans of this city, who are placed in a terrible
position by news that I have just received. I wish to say that we are
Americans first, not Germans! We are loyal to the city, loyal to this
country, and whatever happens here tonight--”
At this moment a tumult of shouts was heard at the Madison Avenue
entrance, and above it a shrill purring sound that seemed to strike
consternation into an army officer who sat beside me.
“My God!” he cried. “The machine-guns! The Germans are in the streets!”
CHAPTER VI
VARIOUS UNPLEASANT HAPPENINGS IN MANHATTAN
I shall never forget the horror of that hoarse cry:
“The Germans are in the streets!”
What followed was still more terrifying. Somewhere at the back of the
Garden, a piercing whistle cut the air--evidently a signal--and suddenly
we found ourselves facing a ghastly tragedy, and were made to realise the
resistless superiority of a small body of disciplined troops over a
disorganised multitude.
“_Fertig! Los! Hup!_” shouted a loud voice (it was a man with a
megaphone) in the first gallery opposite the platform. Every face in that
tremendous throng turned at once in the direction of the stranger’s
voice. And before the immense audience knew what was happening, five
hundred German soldiers, armed with pistols and repeating rifles, had
sprung to life, alert and formidable, at vantage-points all over the
Garden. Two hundred, with weapons ready, guarded the platform and the
Committee of Public Safety. And, in little groups of threes and fives,
back to back, around the iron columns that rose through the galleries,
stood three hundred more with flashing barrels levelled at the crowds.
I counted fifteen of these dominating groups of soldiers in the northern
half of the lower gallery, and it was the same in the southern half and
the same on both sides of the upper gallery, which made sixty armed
groups in sixty strategic positions. There was nothing for the crowd to
do but yield.
“Pass out, everybody!” screamed the megaphone man. “We fire at the first
disorder.”
“Out, everybody!” roared the soldiers. “We fire at the first disorder.”
As if to emphasise this, an automatic pistol crackled at the far end of
the Garden, and frantic crowds pushed for the doors in abject terror.
There was no thought of resistance.
Public-domain text, read in full here on John Shaqi.
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