The Conquest of America: A Romance of Disaster and Victory, U.S.A., 1921 A.D. — John Shaqi
The Conquest of America: A Romance of Disaster and Victory, U.S.A., 1921 A.D.Moffett, Cleveland
History
The Conquest of America: A Romance of Disaster and Victory, U.S.A., 1921 A.D.
Moffett, Cleveland
Imaginary wars and battles -- Fiction; Science fiction
All the pure and noble arts of peace are founded on war. No great art
ever rose on earth but among a nation of soldiers. There is no great art
possible to a nation but that which is based on battle. When I tell you
that war is the foundation of all the arts, I mean also that it is the
foundation of all the high virtues and faculties of men. It was very
strange for me to discover this, and very dreadful, but I saw it to be
quite an undeniable fact. The common notion that peace and the virtues of
civil life flourished together I found to be utterly untenable. We talk
of peace and learning, of peace and plenty, of peace and civilisation;
but I found that these are not the words that the Muse of History coupled
together; that on her lips the words were peace and sensuality, peace and
selfishness, peace and death. I found in brief that all great nations
learned their truth of word and strength of thought in war; that they
were nourished in war and wasted in peace; taught by war and deceived by
peace; trained by war and betrayed by peace; in a word, that they were
born in war and expired in peace.
We know Bernhardi’s remorseless views taken from Treitschke and adopted
by the whole German nation:
“War is a fiery crucible, a terrible training school through which the
world has grown better.”
In his impressive work, “The Game of Empires,” Edward S. Van Zile quotes
Major General von Disfurth, a distinguished retired officer of the German
army, who chants so fierce a glorification of war for the German idea,
war for German Kultur, war at all costs and with any consequences that
one reads with a shudder of amazement:
Germany stands as the supreme arbiter of her own methods. It is of no
consequence whatever if all the monuments ever created, all the pictures
ever painted, and all the buildings ever erected by the great architects
of the world be destroyed, if by their destruction we promote Germany’s
victory over her enemies. The commonest, ugliest stone that marks the
burial place of a German grenadier is a more glorious and venerable
monument than all the cathedrals of Europe put together. They call us
barbarians. What of it? We scorn them and their abuse. For my part, I
hope that in this war we have merited the title of barbarians. Let
neutral peoples and our enemies cease their empty chatter, which may well
be compared to the twitter of birds. Let them cease to talk of the
cathedral of Rheims and of all the churches and all the castles in France
which have shared its fate. These things do not interest us. Our troops
must achieve victory. What else matters?
Public-domain text, read in full here on John Shaqi.
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