He took shelter from the wind for a moment or two, leaning against the
fence, breathing heavily; then he stumbled on across the obliterated
paths of a vegetable-garden until he reached the house, and beginning
with the kitchen, began to make the circuit of the windows, peering
cautiously into each as he went, ready to tap on the pane should he
catch a glimpse of Ariel, and prepared to run if he stumbled upon her
grandfather. But the place seemed empty: he had made his reconnaisance
apparently in vain, and was on the point of going away, when he heard
the click of the front gate and saw Ariel coming towards him, her old
water-proof cloak about her head and shoulders, the patched, scant,
faded skirt, which he knew so well, blowing about her tumultuously. At
the sound of the gate he had crouched close against the side of the
house, but she saw him at once.
She stopped abruptly, and throwing the water-proof back from her head,
looked at him through the driven fog of snow. One of her hands was
stretched towards him involuntarily, and it was in that attitude that
he long remembered her: standing in the drift which had piled up
against the gate almost knee-deep, the shabby skirt and the black
water-proof flapping like torn sails, one hand out-stretched like that
of a figure in a tableau, her brown face with its thin features mottled
with cold and unlovely, her startled eyes fixed on him with a strange,
wild tenderness that held something of the laughter of whole
companionship in it mingling with a loyalty and championship that was
almost ferocious--she looked an Undine of the snow.
Suddenly she ran to him, still keeping her hand out-stretched until it
touched his own.
"How did you know me?" he said.
"Know you!" was all the answer she made to that question. "Come into
the house. I've got some coffee on the stove for you. I've been up
and down the street waiting for you ever since it began to get light."
"Your grandfather won't--"
"He's at Uncle Jonas's; he won't be back till noon. There's no one
here."
She led him to the front-door, where he stamped and shook himself; he
was snow from head to foot.
"I'm running away from the good Gomorrah," he said, "but I've stopped
to look back, and I'm a pretty white pillar."
"I know where you stopped to look back," she answered, brushing him
heartily with her red hands. "You came in the alley way. It was
Mamie's window."
He did not reply, and the only visible token that he had any
consciousness of this clairvoyance of hers was a slight lift of his
higher eyebrow. She wasted no time in getting him to the kitchen,
where, when she had removed his overcoat, she placed him in a chair,
unwound the comforter, and, as carefully as a nurse, lifted the cap
from his injured head. When the strip of towel was disclosed she stood
quite still for a moment with the cap in her hand; then with a broken
little cry she stooped and kissed a lock of his hair, which escaped,
discolored, beneath the bandage.
Public-domain text, read in full here on John Shaqi.
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