The Conspiracy of Gianluigi Fieschi, or, Genoa in the sixteenth century.Celesia, Emanuele
History
The Conspiracy of Gianluigi Fieschi, or, Genoa in the sixteenth century.
Celesia, Emanuele
Fiéschi, Gian Luigi, conte di Lavagna, 1522-1547; Genoa (Italy) -- History
Neither in Tuscany, where the seeds of the Medicean tyranny were
already springing up; not in Lombardy, which was the battle-ground of
the two opposing factions; not in the kingdom of Naples tossed like a
foot-ball from one master to another, but at the moment in the grasp of
Cæsar. Finally, not in Rome where the Spanish government, in its war to
the death upon the spirit of civil and religious liberty, found a swift
accomplice in the Papal court which employed the zeal and devotion
of its inquisitors in consigning to the flames both books and their
authors. It is enough that no writer in Italy was permitted to answer
the blind devotee of Rome, Baronius.
A few noble spirits arose to tell the truth of the Austro-Spanish
power; such as Bandello, Ariosto, Boccalini and Tassoni; nevertheless
in the period between Charles V. and the middle of the 17th century no
true light of history shone on the Peninsula.
Learned and literary men lived in the courts, then the only dispensers
of fame, and writers were more valued for their promptness in serving
masters than for their mental acquirements. Even the best writers
exhausted their ambition in the chase for courtly favour. It is not
true that the protection of princes was useful to letters and arts;
it only seduced them from the path of duty. Truth was banished from
books because it displeased our masters, and history was sure to be
smothered if it contained more than panegyric. Spanish wordiness
had corrupted liberal studies and Italians were no longer honestly
indignant against the oppressors of their country. They descended from
employing their imaginations in intellectual creations to pandering to
the senses. Literary entertainments, like falcons and buffoons, served
for the sport of courtiers, as an instrument of corruption rather than
a stimulant to generous pursuits. Intellect being thus prostrated,
Fieschi could find no historian courageous enough to clear away the
falsehoods that blackened his fame and constrain his calumniators to
an honest confession. Cybo, Farnese, and whoever else, following the
footsteps of Fieschi, opposed at the price of their lives Spanish
influence, shared the historical misfortune of the Count of Lavagna.
Public-domain text, read in full here on John Shaqi.
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