The Contemporary Review, January 1883: Vol 43, No. 1 — John Shaqi
The Contemporary Review, January 1883: Vol 43, No. 1Various
Science
The Contemporary Review, January 1883: Vol 43, No. 1
Various
Arts -- Periodicals; Literature -- Periodicals; Political science -- Periodicals
Without a warning the blow fell. His father was suddenly struck down;
and while he was indulging a grief, poignant and profound indeed, but
natural, wholesome, manly, his uncle usurped the crown. This second blow
would be acutely felt, but it would rather rouse than prostrate his
energies. There is no passion in Hamlet when there has been no love. And
he had always held his uncle in slight esteem--foreboded something from
his smiling insincerity. He never mentions him without an expression of
contempt, hardly acknowledges him as king; he is a thing--of nothing--a
farcical monarch--"a peacock"--and, in this particular act, no dread
usurper, but a "cut-purse of the realm." Whether he designed to wait or
was prepared to strike, his future was still intact, his energy
unimpaired. His mother remained to him, now doubly dear and doubly
great, and with her the tradition of the past. She was, as he gathered
from her silence, like himself, retired from the world, absorbed in
grief; but he was assured of her constancy and truth. Even the kind of
distance between them in age and sex, in mind and character, was no
barrier to this sympathetic relation. She was there with the expectation
that makes heroism possible; she was there to watch, if not to further
his enterprise, and to give it lustre with her praise. We are often
quite unconscious of the commanding influence exerted on our life by
those who are least in contact with it. To be cognizant of one steadfast
and stainless soul is to have encouragement in difficulty and support in
pain. The mere knowledge of its existence is a light within the mind,
and a secret incentive to the best action. Though silent and apart, it
is the witness of what is great, and our life is always seeking to rise
within its sphere; while, by a secret transference--for souls are not
retentive of their own goodness--our standards of living and thinking
are maintained at their highest level, like water fed by a distant
spring. All this and infinitely more than this was the Queen his mother
to Hamlet. It is impossible, therefore, to measure the effect upon him
of her marriage with his uncle. The shock of it is ever fresh throughout
the play. In the third Act the whole frame of nature is still aghast at
it:--
"Heaven's face doth glow;
Yea, this solidity and compound mass,
With tristful visage, as against the doom,
Is thought-sick at the act."
And this was not only after the revelation of the Ghost, but after the
confirmation of its truth by the test Hamlet had himself applied. Even
then the first paroxysm has hardly subsided. You see the whole being
measured by it, the mind stretched to give it utterance, the world
called as a witness to its enormity:--
III.
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