The Contemporary Review, Volume 36, December 1879Various
Religion
The Contemporary Review, Volume 36, December 1879
Various
Arts -- Periodicals; Literature -- Periodicals; Political science -- Periodicals
The foregoing is an illustration of the manner in which an Imperial
Viceroy secures "the progressive well-being of the multitudes
committed to his fostering care." I purpose now to illustrate the
manner in which the same Imperial functionary deals with the finances
"committed to his fostering care." The position of "isolation and
scarcely veiled hostility" which, without any provocation, Lord Lytton
had assumed towards the Ameer of Afghanistan rendered a war against
that sovereign a mere question of time and opportunity. Meanwhile,
funds were necessary for its prosecution in addition to those which
had been obtained from the starving population of the North-West.
Accordingly, in his Budget statement for 1878-79, Sir John Strachey
announced that the Indian Government had arrived at the conclusion
that they ought to regard famines as normal occurrences for which
provision should be made in the budgets of each year. Famine
expenditure could not be estimated at a smaller sum than a million
and a half annually. This sum he now proposed to raise by means of a
License Tax on trades and dealings, to be levied throughout India, and
which, it was estimated, would yield £700,000. The remainder of the
sum required was to be obtained by a tax on the agricultural classes
in Northern India and Bengal alone. The peculiar incidence of these
taxes was justified on the ground that the classes taxed were the same
classes which, in periods of famine, had to be supported by the State.
It was therefore only just that they should provide the fund which was
to insure them against famine. This money was in fact a sum raised
for a special purpose, at the expense of certain classes, for whose
benefit it was to be exclusively applied. This was acknowledged by
Lord Lytton with his usual superabundance of emphasis:--
Public-domain text, read in full here on John Shaqi.
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