The Contemporary Review, Volume 36, November 1879Various
Philosophy
The Contemporary Review, Volume 36, November 1879
Various
Arts -- Periodicals; Literature -- Periodicals; Political science -- Periodicals
The most important among the former are the Mexican, for they appear to
have been definitively fixed by symbolic and mnemonic paintings before
any contact with Europeans. According to these documents, the Noah of
the Mexican cataclysm was Coxcox, called by certain peoples Teocipactli
or Tezpi. He had saved himself, together with his wife Xochiquetzal, in
a bark, or, according to other traditions, on a raft, made of cypress
wood (_Cupressus disticha_). Paintings retracing the deluge of Coxcox
have been discovered among the Aztecs, Miztecs, Zapotecs, Tlascaltecs,
and Mechoacaneses. The tradition of the latter is still more strikingly
in conformity with the story as we have it in Genesis and in Chaldean
sources. It tells how Tezpi embarked in a spacious vessel with his wife,
his children, and several animals, and grain, whose preservation was
essential to the subsistence of the human race. When the great god
Tezcatlipoca decreed that the waters should retire, Tezpi sent a vulture
from the bark. The bird, feeding on the carcases with which the earth
was laden, did not return. Tezpi sent out other birds, of which the
humming-bird only came back with a leafy branch in its beak. Then Tezpi,
seeing that the country began to vegetate, left his bark on the mountain
of Colhuacan.
The document, however, that gives the most valuable information as to
the cosmogony of the Mexicans is one known as "Codex Vaticanus," from
the library where it is preserved. It consists of four symbolic
pictures, representing the four ages of the world preceding the actual
one. They were copied at Chobula from a manuscript anterior to the
conquest, and accompanied by the explanatory commentary of Pedro de los
Rios, a Dominican monk, who in 1566, less than fifty years after the
arrival of Cortez, devoted himself to the research of indigenous
traditions as being necessary to his missionary work.
The first age is marked with the cipher 13×400+6, or 5206, which
Alexander von Humboldt understands as giving the number of years of the
period, and Abbé Brasseur de Bourbourg as the date of its commencement,
from a proleptic era going back from the period of the execution of the
manuscript. This age is called _Tlatonatiuh_, "Sun of Earth." It is that
of the giants, or Quinames, the earliest inhabitants of Anahuac, whose
end was destruction by famine.
The number of the second age is 12×400+4, or 4804, and it is called
_Tlatonatiuh_, "Sun of Fire." It closes with the descent on Earth of
Xiuhteuchli, the god of fire. Mankind are all transformed into birds,
and only thus escape the conflagration. Nevertheless, one human pair
find refuge in a cave, and repeople the world.
As to the third age, _Ehécatonatiuh_, "Sun of Wind," its number is
10×400+10, or 4010. Its final catastrophe is a terrible hurricane raised
by Quetzalcoatl, the "god of the air." With few exceptions, men are
metamorphosed into monkeys.
Public-domain text, read in full here on John Shaqi.
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