The Contemporary Review, Volume 36, November 1879Various
Philosophy
The Contemporary Review, Volume 36, November 1879
Various
Arts -- Periodicals; Literature -- Periodicals; Political science -- Periodicals
Be that as it may, the doctrines of successive ages, and of the
destruction of the men of the first age by a Deluge, is also found in
the curious book of _Popol-vuh_ that collection of the mythological
traditions of Guatemala, written after the conquest in the native
tongue, by a secret adept of the old religion; discovered, copied, and
translated into Spanish in the beginning of the last century by the
Dominican Francisco Ximenez, curé of St. Thomas of Chiula. His Spanish
version has been published by M. Schelzer, the original text with a
French translation by Abbé Brasseur. Here we read that the gods, seeing
that animals were neither capable of speaking nor of adoring them,
determined to make men in their own image. They fashioned them at first
in clay. But those men had no consistency, could not turn their heads;
spoke, indeed, but understood nothing. The gods then destroyed their
imperfect work by a Deluge. Setting about it for the second time, they
made a man of wood and a woman of resin. These creatures were far
superior to the former; they moved and lived, but only like other
animals; they spoke, but unintelligibly; and gave no thought to the
gods. Then Hurakan, "the heart of heaven," the god of storm, caused a
rain of burning resin to fall, while the ground was shaken by a fearful
earthquake. All the descendants of the wood-and-resin pair perished,
with a few exceptions, who became monkeys of the forest. Finally, out of
white and yellow maize, the gods produced four perfect men:
Balam-Quitze, "the smiling jaguar;" Balam-agab, "the jaguar of the
night;" Mahuentah, "the distinguished name;" and Igi-Balam, "the jaguar
of the moon." They were tall and strong; saw and knew everything, and
rendered thanks to the gods. But the latter were alarmed at this their
final success, and feared for their supremacy: accordingly, they threw a
light veil, like a mist, over the vision of the four men, which became
like that of the men of to-day. While they slept the gods created for
them four wives of great beauty, and from three of these pairs the
Quichés were born--Igi-Balam and his wife Cakixaha having no children.
This series of awkward attempts at creation is sufficiently removed from
the Biblical narrative to do away with any suspicion of Christian
missionary influence over this indigenous quadrennial legend, where, as
usual, we find the belief in the destruction of primal mankind by a
great flood.
Public-domain text, read in full here on John Shaqi.
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