The Contemporary Review, Volume 36, October 1879Various
History
The Contemporary Review, Volume 36, October 1879
Various
Arts -- Periodicals; Literature -- Periodicals; Political science -- Periodicals
In the same manner, although Persia has in general preserved the
personality of her Supreme god, yet she suffers him, especially in the
sects, to become confounded with the Infinity of matter through which he
first revealed himself to the mind of his worshippers. After having
invoked the heavens as the body of Ahura Mazda, the most beautiful of
bodies, she placed above Ahura himself, and before him, the luminous
space, where he manifests himself, what the theologians called "the
Infinite light," and then by a new and higher abstraction declared
_Space_[54] to have been at the beginning of the world. Between this
wholly metaphysical principle and the naturalistic principle of the
primitive religion, there is only the distance of two abstractions:
Space is only the bare form of the luminous Infinite, and the luminous
Infinite, again, is an abstraction from the Infinite and luminous sky,
which was identical with Ahura.
Thus, accordingly as the heavens were considered as the seat or as the
cause of things, the god of the heavens became the matter of the world
or the demiurge of the world. From the period of Aryan unity, he was
without doubt the one and the other in turn; but it is probable that the
theistic conception was more clearly defined than the other, as it is so
in the derived mythologies; it has besides deeper roots in the human
heart and human nature, which in every movement and in every phenomenon
sees a Living Cause, a Personality.
This god of the heavens, having organized the world, is all wisdom; he
is the skilled artisan who has regulated the motion of the worlds. His
wisdom is infinite, for of all those mysteries which man tries in vain
to fathom he has the key, he is the author. But it is not only as the
Creator of the world that he is omniscient: he knows all things,
because, being all light, he sees all things. In the naturalistic
psychology of the Aryans, to see and to know, light and knowledge, eye
and thought, are synonymous terms. With the Hindoos, Varuna is
omniscient because he is the Infinite light; because the sun is his eye;
because from the height of his palace with its pillars of red brass, his
white looks command the world; because under the golden mantle that
covers him, his thousands, his myriads of spies, active and untiring
agents, sunbeams during the day, stars during the night, search out for
him all that which exists from one world to the other, with eyes that
never sleep, never blink. And in the same way, if Zeus is the
all-seeing, the πανόπτης, it is because his eye is the sun, this
universal witness, the infallible spy of both gods and men (Θεῶν σκοπὸν
ἠδὲ καὶ ἀνδρῶν). The light knows the truth, it is all truth; truth is
the great virtue which the god of heaven claims; and lying is the great
crime which he punishes. In Homer, the Greek taking an oath, raises his
eyes towards the expanse of heaven and calls Zeus and the sun to
witness; in Persia, the god of heaven resembles in body the light, and
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