The Contemporary Review, Volume 36, October 1879Various
History
The Contemporary Review, Volume 36, October 1879
Various
Arts -- Periodicals; Literature -- Periodicals; Political science -- Periodicals
In fact, the supreme god of the Aryans was not a god of unity; the
Asura, the Lord, was not the Lord in the same sense as Adonai. There
were by the side of him, within himself, a number of gods, acting of
their own accord, and often of independent origin. The wind, the rain,
the thunder; the fire under its three forms--the sun in the heavens, the
lightning in the cloud, the terrestrial fire on the altar; the prayer
under its two forms--the human prayer, which ascends from the altar to
heaven, and the heavenly prayer, which resounds in the din of the storm,
on the lips of a divine priest, and descends from the heights with the
torrents of libations poured from the cup of heaven, all the forces of
nature, both concrete and abstract, appealing at once to the eye and to
the imagination of man, were instantly deified. If the god of the
heavens, greater in time and space, always present and everywhere
present, easily rose to the supreme rank, carried there by his double
Infinity, yet others, with a less continuous, but more dramatic action,
revealing themselves by sudden, unexpected events, maintained their
ancient independence, and religious development might lead to their
usurping the power of the king of the heavens. Already during the middle
of the Vedic period, Indra, the noisy god of the storm, ascends the
summit of the Pantheon, and eclipses his majestic rival by the din of
his resounding splendour.
He is the favourite hero of the Vedic Rishis; they do not tire of
telling how he strikes with his bolt the serpent of the cloud, which
enfolds the light and the waters; how he shatters the cavern of Cambara,
how he delivers the captive Auroras and cows, who will shed torrents of
light and milk on the earth. It is he who makes the sun come out again;
it is he who makes the world, annihilated during the night, reappear; it
is he who recreates it, he who creates it. In a whole series of hymns he
ascends to the side of Varuna, and shares the empire with him; at last
he mounts above him, and becomes the Universal King:--
"He, who, as soon as he was born, a god of thought, has surpassed
the gods by the power of his intellect, he whose trembling made the
two worlds quake by the power of his strength--O man, it is Indra!
"He, who has firmly established the tottering earth and arrested the
quivering mountains; he who has fixed the extent of the
wide-stretching atmosphere, and who has propped up the sky,--O man,
it is Indra!
"He, who, after slaying the serpent, unpenned the seven rivers; who
brought forth the cows from their hiding-place in the cavern; he,
who, by the clashing of the two stones, has engendered Agni,--O man,
it is Indra!
"He, who made all these great things; he, who struck down the demon
race, driving it to concealment; he, who, like a fortunate gamester
who wins at play, carries off the wealth of the impious,--O man, it
is Indra!
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