The Continental Classics, Volume XVIII., Mystery Tales: Including Stories by Feodor Mikhailovitch Dostoyevsky, Jörgen Wilhelm; Bergsöe and Bernhard Severin IngemannVarious
General
The Continental Classics, Volume XVIII., Mystery Tales: Including Stories by Feodor Mikhailovitch Dostoyevsky, Jörgen Wilhelm; Bergsöe and Bernhard Severin Ingemann
Various
Detective and mystery stories
The lady chosen by Tomsky was the Princess Pauline herself. She
succeeded in effecting a reconciliation with him during the numerous
turns of the dance, after which he conducted her to her chair. On
returning to his place, Tomsky thought no more either of Hermann or
Lizaveta. She longed to renew the interrupted conversation, but the
mazurka came to an end, and shortly afterwards the old Countess took
her departure.
Tomsky's words were nothing more than the customary small talk of the
dance, but they sank deep into the soul of the young dreamer. The
portrait, sketched by Tomsky, coincided with the picture she had
formed within her own mind, and, thanks to the latest romances, the
ordinary countenance of her admirer became invested with attributes
capable of alarming her and fascinating her imagination at the same
time. She was now sitting with her bare arms crossed, and with her
head, still adorned with flowers, sunk upon her uncovered bosom.
Suddenly the door opened and Hermann entered. She shuddered.
"Where were you?" she asked in a terrified whisper.
"In the old Countess's bedroom," replied Hermann. "I have just left
her. The Countess is dead."
"My God! What do you say?"
"And I am afraid," added Hermann, "that I am the cause of her death."
Lizaveta looked at him, and Tomsky's words found an echo in her soul:
"This man has at least three crimes upon his conscience!" Hermann sat
down by the window near her, and related all that had happened.
Lizaveta listened to him in terror. So all those passionate letters,
those ardent desires, this bold, obstinate pursuit--all this was not
love! Money--that was what his soul yearned for! She could not satisfy
his desire and make him happy. The poor girl had been nothing but the
blind tool of a robber, of the murderer of her aged benefactress! She
wept bitter tears of agonized repentance. Hermann gazed at her in
silence; his heart, too, was a prey to violent emotion, but neither
the tears of the poor girl, nor the wonderful charm of her beauty,
enhanced by her grief, could produce any impression upon his hardened
soul. He felt no pricking of conscience at the thought of the dead old
woman. One thing only grieved him: the irreparable loss of the secret
from which he had expected to obtain great wealth.
"You are a monster!" said Lizaveta at last.
"I did not wish for her death," replied Hermann, "my pistol was not
loaded." Both remained silent. The day began to dawn. Lizaveta
extinguished her candle, a pale light illumined her room. She wiped
her tear-stained eyes, and raised them towards Hermann. He was sitting
near the window, with his arms crossed, and with a fierce frown upon
his forehead. In this attitude he bore a striking resemblance to the
portrait of Napoleon. This resemblance struck Lizaveta even.
"How shall I get you out of the house?" said she at last. "I thought
of conducting you down the secret staircase."
"I will go alone," he answered.
Public-domain text, read in full here on John Shaqi.
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