The Continental Monthly, Vol. 1, No. 5, May, 1862: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 1, No. 5, May, 1862: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
'_Mon ami_, if you seriously prefer ice-cream and trifle to venison and
_dindon aux truffes_, choose. If either one of the four poets--I do not
include Rogers among poets--ever conceived in his mind, and then
produced on paper, a work, composed from his memory, of things terrible
in nature, more sublime than Dante's _Inferno_, I will grant you that he
had _esprit_ and imagination; otherwise, not. It is of the English as a
nation, however, that I make my broad and sweeping assertion, one that
was fixed in my mind yesterday, when I saw a well-dressed and
well-_educated_ Englishman deliberately pick up a stone, knock off the
head of a figure carved on a sarcophagus, found in one of those
newly-discovered tombs on the Via Latina, and put the broken head in his
pocket.... What man, with one grain of _esprit_ or imagination in his
head, would mutilate a work of ancient art, solely that he might possess
a piece of stone, when memory had already placed the entire work forever
in his mind. _Basta_! enough. Look at the effect of the sunlight on the
Albanian mountains. How proudly Mount Gennaro towers over the desolate
Campagna! Hallo! Von Bluhmen down there is in trouble. Come along.'
Throwing down his umbrella, under which he had been sitting in the
shade, Rocjean grasped the iron-pointed shaft, into which the handle of
the umbrella fitted, and, accompanied by Caper, rushed to the rescue of
the German. It was none too soon. While sketching, a shepherd, with a
very large flock of sheep, had gradually approached nearer and nearer
the spot where the artist was sitting at his task; his dogs, eight or
ten in number, fierce, shaggy, white and black beasts, with slouching
gait and pointed ears and noses, followed near him. As Von Bluhmen paid
no attention to them, the shepherd had wandered off; but one or two of
his dogs hung back, and the artist, dropping a pencil, suddenly stooped
to pick it up, when one of the savage creatures, thinking or
'instincting' that a stone was coming at him, rushed in, with loud
barking, to make mince-meat of the German noble. He seized his
camp-stool, and kept the dog at bay; but in a moment the whole pack were
down on him. Just at this instant, in rushed Rocjean, staff in hand,
beating the beasts right and left, and shouting to the shepherd, who was
but a short distance off, to call off his dogs. But the _pecorajo_,
evidently a cross-grained fellow, only blackguarded the artists, until
Rocjean, whose blood was up, swore if he did not call them off, he would
shoot them, pulling a revolver from his pocket and aiming at the most
savage dog as he spoke. The shepherd only blackguarded him the more,
and, just as the dog grabbed him by the pantaloons, Rocjean pulled the
trigger, and with foaming jaws and blood pouring from his mouth, the dog
fell dead at his feet. The shot scared the other dogs, who fled, tails
under. The shepherd ran for the entrance of a cave, and came out in a
Public-domain text, read in full here on John Shaqi.
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