The Continental Monthly, Vol. 1, No. 6, June, 1862: Devoted To Literature and National PolicyVarious
History
The Continental Monthly, Vol. 1, No. 6, June, 1862: Devoted To Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Then came good-by, and our artists were off--slowly, meditatively, and
extremely happy, but, so far, quite steady. They walked to the
castellated monastery of San Basilio, where in the chapel of Saint Nilus
they saw the celebrated frescoes of Domenichino, and gazed at them
tranquilly and not quite so appreciatingly as they would have done
before dinner. Then they came out from the gloom and the air heavy with
incense of the chapel to the bright light and lively scenes of the fair,
with renewed pleasure. They noticed that every one wore in the hat or in
the lappel of the coat, if men--in their hair or in their bosom, if
women, artificial roses; and presently coming to a stand where such
flowers were for sale, our trio bought half-a-dozen each, and then
turned to where the crowd was thickest and the noise greatest. Three or
four donkeys loaded with tin-ware were standing near the crowd, when one
of them, ambitious of distinction, began clambering over the tops of the
others in an insane attempt to get at some greens, temptingly displayed
before him. Rattle, bang! right and left went the tins, and in rushed
men and women with cudgels; but donkey was not to be stopped, and for
four or five minutes the whole fair seemed gathered around the scene,
cheering and laughing, with a spirit that set Caper wild with
excitement, and induced him to work his way through the crowd and
present one old woman who had finally conquered the donkey, with two
large roses, an action which was enthusiastically applauded by the
entire assembly.
'Bravo! bravo! well done, O Englishman!' went up the shout.
A little farther on they came to a large traveling van, one end of which
was arranged as a platform in the open air. Here a female dentist, in a
sea-green dress, with her sleeves rolled up and a gold bracelet on her
right arm, held in both hands a tooth-extractor, bound round with a
white handkerchief--to keep her steady, as Caper explained, while she
pulled a tooth from the head of a young man who was down in front of
her on his knees. Her assistant, a good-looking young man, in very white
teeth and livery, sold some patent toothache drops: _Solo cinque
baiocchi il fiasco, S'gnore_.
Caper having seen the tooth extracted, cried, '_Bravissima!_' as if he
had been at the opera, and threw some roses at the _prima donna
dentista_, who acknowledged the applause with a bow, and requested the
Signore to step up and let her draw him out. This he declined, pleading
the fact that he had sound teeth. The _dentista_ congratulated him, in
spite of his teeth.
'But come!' said Bagswell; 'look at that group of men and women in
Albano costume; there is a chance to make a deuced good sketch.'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account