The Continental Monthly, Vol. 2, No. 1, July, 1862 — John Shaqi
The Continental Monthly, Vol. 2, No. 1, July, 1862Various
History
The Continental Monthly, Vol. 2, No. 1, July, 1862
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
'Then,' continued Rocjean, 'Caper, Bagswell, Légume, and I, will try for
your five hundred dollar prize. When shall we commence?'
'To-day is Tuesday,' replied Uncle Bill; 'say next Monday--that will
give you plenty of time to get your frames and canvases. So that ends
all particulars. There are two friends of mine here from the United
States, one, Mr. Van Brick, of New York, and the other, Mr. Pinchfip, of
Philadelphia, whom I think you all met here last week.'
'The thin gentleman with hair very much brushed, be Gad?' asked Légume.
'I don't remember as to his hair,' answered Uncle Bill, 'but that's the
man. Well, these two I know will act as vampires, and I am sure you will
be pleased with their verdict. Monday after next, therefore, we will all
call, so be ready.'
* * * * *
The four artists took the whole thing as a joke, but determined to paint
the pictures; and at Caper's suggestion, each one agreed, as there was a
play of words in the clause, 'most work on it,' to puzzle Uncle Bill,
and have the laugh on him.
On the day appointed to decide the prize, Uncle Bill, accompanied by
Messrs. Van Brick and Pinchfip, called first at Légume's studio; they
found him in the Via Margutta, (in English, Malicious street,) in a
light, airy room, furnished with a striking attention to effect. On his
easel was a painting of the required size, representing Louis XV. at
Versailles, surrounded by his lady friends. By making the figures of the
ladies small, and crowding them, Légume managed to get a hundred or two
on the canvas. A period in their history to which Frenchmen refer with
so much pleasure, and with which they are so conversant, was treated by
the artist with professional zeal. The merits of the painting were
carefully canvassed by the two judges. Mr. Pinchfip found it exceedingly
graceful, neat, and pretty. Mr. Van Brick admired the females, remarking
that he should like to be in old Louis's place. To which Légume bowed,
asserting that he was sure he was in every way qualified to fill it. Mr.
Van Brick determined in his mind to give the artist a dinner, at
Spillman's, for that speech.
Mr. Pinchfip took notes in a book; Mr. Van Brick asked for a light to a
cigar. The former congratulated the artist; the latter at once asked him
to come and dine with him. Mr. Pinchfip wished to know if he was related
to the Count Légume whom he had met at Paris. Mr. Van Brick told him he
would bring his friend Livingston round to buy a painting. Mr. Pinchfip
said that it would afford him pleasure to call again. Mr. Van Brick gave
the artist his card, and shook hands with him:...and the judges were
passing out, when Légume asked them to take one final look at the
painting to see if it had not the _most work_ on it. Mr. Van Brick
instantly turned toward it, and running over it with his eye, burst into
an uncontrollable fit of laughter.
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