The Continental Monthly, Vol. 2, No. 2, August, 1862: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 2, No. 2, August, 1862: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
With that wise foresight, shared by all European rulers, the Roman
Pincio was undoubtedly wedded to its purpose of keeping the idle ones
very busy at the very time of day when revolutionary plots find the best
hearing--before dinner. Whirling around its walks in carriages, or
gently promenading under trees, among rose-bushes, and by fountains,
while a large band of musicians play with spirit fine selections from
the last operas, or favorite airs from old ones; the eye gratified by
the sight of pleasant faces, or dwelling enraptured on the beautiful
landscape spread before it--how can the brain disengage itself to think
of Liberty, won through toil and battle, only to be preserved by
self-denial and moral strength?
But the traveler who travels only to travel, and has the means and
spirit to find pleasure wherever he goes, thinking only of what he sees,
enjoys to its fullest extent the luxurious seat of the hired,
white-damask-lined carriage, drawn by stalwart, heavy-limbed, coal-black
horses, with sweeping tails, the white foam flying from the champed
silver bits, the whole turn-out driven by a handsome, white-gloved,
black-coated Roman. In solemn state and swiftly, he winds up the zig-zag
road leading from the piazza Popolo, (so-called from _popolo_, a
poplar-tree, and not as the English will have it, from _popolo_, the
people,) and at last reaches the summit of Roman ambition--the top of
the Pincian hill. He passes other carriages filled with other strangers
like himself, or with titled and fashionable Romans, and finally, his
carriage drawn up to one side of the broad drive in front of the
semi-circle where the band plays, he descends, to walk around and chat
with the friends he may find there.
Toward sunset the scene is full of animation. The sabres of the cavalry
soldiers, on guard to prevent infraction of rules, gleam brightly; the
old infantry soldiers are darting here and there, chasing away sundry
ownerless dogs, who always make it a point to promenade the Pincio; the
Italian nurses from Albano, or at least dressed in Albanese costume,
shine conspicuous in their crimson-bodiced dresses; Englishmen going
through their constitutional; Frenchmen mourning for the Champs Elysees;
artists in broad-brim hats smoking cigars; Americans observing Italy, so
as to be like Italians; ladies of all nations commanding the attention
of mankind as they sweep along the hard-rolled gravel-walks; smiles,
bows, looks of love, indignation, affection, coquetry; faces reflective
of great deeds and greater dinners ... every face bright in the lambent
amber light that streams from the sun dipping his head preparatory to
putting on his night-cap, and bidding Rome _felicissima notte!_ a most
happy night.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account