The Continental Monthly, Vol. 2, No. 2, August, 1862: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 2, No. 2, August, 1862: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Looking down from the stone balustrade of the Pincio on the piazza
Popolo, we note two churches, one on either side of the Corso; their
architecture is neither more nor less hideous than nine tenths of the
other three hundred and odd churches of Rome; the same heavy,
half-cooked look about doors and windows, suggesting cocked-hats of the
largest size on the heads of dwarfs of no size at all; the same heavy
scroll-work, reminding one of the work of a playful giant of a
green-grocer who has made a bouquet of sausages and cabbages, egg-plants
and legs of mutton, and exhibits it to a thick-headed public as a--work
of art. O Roman _Plebs!_ lay this nattering unction to your soul--we did
not do that!
The history of all nations seem to indicate successive ages of grub and
butterfly-life; certainly Rome has been a grub long enough. Let us hope
the sun of Victor Emmanuel, the King of Gallant Men, will hasten the
time when the Romans shall wing their way to the light of Liberty. These
mockeries of architecture shall then stand as warning fingers to the
Romans of the sad days that were; the days when mind and body were
enslaved, and the grinning monkey held the dove tight-clutched in his
brutal grasp. Through sword and fire public taste must pass before it is
purified: the mountain-stream, dashing along with bounding steps, is
clear and sparkling, but in the long stretch of level pastureland or
prairie it is still and--dirty.
It may be well to descend and wander through those close and narrow
streets where the waste-water of old Roman aqueducts makes green and
damp the foundation stories of gloomy houses, and where the
carefully-nurtured traveler sees sights of smoked interiors, dirt and
rubbish in the streets, that terrify him; but let him remember that in
the worst of these kennels the inhabitants have never forgotten that
they had a Past, and the 'I am a Roman Citizen!' still rings in their
ears, eats into their hearts, and is at their tongue's end. Monsieur
About was in Rome when Caper was there; he saw these Romans through
Napoleonic spectacles: while one foot was trying to stamp on Antonelli
gently, the other was daintily ascending the shining steps leading to
the temple of Gallic fame. He is impressed with the idea that the Romans
are hangers-on of hangers-on to patricians, from which we are to infer,
if the patricians are ever hung, there will be a heavy weight to their
feet!
Rocjean, one afternoon, after a walk on the Pincio, was returning to his
studio, when, as he descended to the Via Babuino, he met a Roman artist
named Attonito, who cultivated the English.
'Ow arr you toe-day, my dear?' he asked Rocjean.
'Quite well, except a slight attack of bad English, from which I hope to
recover in a few minutes.'
'Pray tell unto me th-hat weech is bad Englis.'
'Haven't you been on the Pincio?'
'Yas, I tak' consteetutionails up there avery afternoons; it is a
costume Englis' th-hat I vary moche cotton to.'...
Public-domain text, read in full here on John Shaqi.
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