The Continental Monthly, Vol. 2, No. 2, August, 1862: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 2, No. 2, August, 1862: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
The powers of magic come to their
aid; they are not absolutely omnipotent. Dwarfs forge them invincible
arms in subterranean caverns; earth, air, fire, and water, conspire to
assist them. The elements rage or are appeased at their command.
In the same way the gods of Greece and Rome are all repose. Their
actions acquire a superiority over those of man not by supernatural
agencies or extraordinary developments of physical power; their
preeminence lies in the quiet assumption of power, in the immediate
sequence of action on volition. Their divinity is esoteric, consisting
in attributes innate and not assumed. Action with them is power; but in
the North power must be superadded.
Thus we find all the various attributes embodied in the gods of the
South, likewise deified and modified in the North, Thus Loke is the
Mercury of the ancients. He is the same sly rogue as Hermes, though he
has not some of the better qualities of that god. He is essentially the
god of deceit. His deceptions are more subtle and deep-laid than those
of the Grecian adept. He combines with the Pagan element something of
the old Christian Satanic element. Without the horn and hoof of the
Christian devil, he has all his peculiar mental qualities, and uses them
to the great prejudice and harm of the other gods. So, likewise, with
many of the more human [Greek: muthoi]. We find the same ideas to spring
up in the agora of Athens, the wilds and snows of Norway, and the
heathers and hills of Scotland. The fable of the Sirens finds an exact
counterpart in the North. Like Ulysses, Duke Magnus and innumerable
others escape with difficulty from the charms and enticements of
sea-nymphs. Sometimes it is their wonderful song which the earth and
the elements obey as they did Orpheus, that attracts them. Sometimes it
is by more sensual blandishments, and sometimes by sweet and tender
persuasion, _suadae medulla_. Mountain elves start from the ground, and
from unseen caverns, and attempt to entice brave knights to their ruin;
they dance round them beneath the trees, and endeavor to make them join
in their dances. The natural fortitude of the stalwart champions is
rarely able to resist the temptation, and they are always on the point
of falling, when some unoffending barn-yard fowl sounds the signal for
retreat, or some Christian word is uttered, or sign made, and the fair
visions vanish, either naturally or in divers shapes with odors of
brimstone and sulphur. The differences between the Grecian and the
Northern conceptions are striking. In the Greek the forms are clear and
vivid. The sirens are beautiful women, with angelic voices and vulture's
talons. There are nothing but conceivable realities in their story.
There is nothing strange or supernatural in their accessories. But in
the Scandinavian elves the case is different. They vanish and reaeppear
at different times; they have no actual, permanent existence. The crow
Public-domain text, read in full here on John Shaqi.
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