The Continental Monthly , Vol. 2 No. 5, November 1862: Devoted to Literature and National PolicyVarious
History
The Continental Monthly , Vol. 2 No. 5, November 1862: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
_Actually_ was a nice word. We suffered a loss when it died, and it
deserves this obituary notice. It was a pretty word to speak and to
write, and there was a crisp exactness about its very sound that gave it
meaning. _Requiescat in pace._ But last and most to be lamented, comes
_literally_. I could be pathetic about that word. So classic--so
perfect--it crystallized the asseveration honored with its assistance.
And so early dead! Cut off untimely in the green freshness of its
days--and I have not even the Homeric satisfaction of burying it! It
still wanders in the shades of purgatory, _Vox et praeterea nihil_; being
bandied about from mouth to mouth of the profane vulgar. And not even by
them alone is disrespect offered it, for the grave and practical Mr.
Layard says somewhere in the account of his uncoveries, 'They
_literally_ bathed my shoes with their tears!' _Idem, sed quantum
mutatus ab illo!_ I am almost tempted to the ambiguous wish that he
might have _slipped in literally_ to one of the many graves he robbed
figuratively.
Now listen for a moment to Miss Giggley, who is telling of her
temptation to laugh at some young unfortunate who thought he was making
himself very agreeable. 'Really and truly, upon my word and honor, I
positively thought I--should--die: as sure as I'm alive.' You pretty
liar! You smiling murderess! You playful puss, gracefully toying with
the victims your sweet mouth kills! Those expletives were like five
strong men standing in a row, and you were like a bright,
innocent-looking electric machine, with its transparent and clear-voiced
cylinder, which is capable (give it only enough turnings) of making the
men, at a shock, into five long, prostrate heaps of clay, lifeless,
useless, and offensive, as are the expletives in question, by reason of
a succession of just such shocking assaults as the untruth you this
moment swore to.
Anonymous writers, as a class, might be called the Boythorns of
Literature. All of them, from Junius down, have shown a great
satisfaction in waving a tremendously sharp sword out from behind a
fence. Sometimes the hand that has held the weapon was strong enough to
have done good service wherever it might have been engaged, but always
the wielding is a little more fearless than if the owner's face were
visible, and usually it is the better for his cause that it was not. We
all know what a _very_ large cannon the monkey touched off, and how, if
any one _had_ been in the way, it might have hurt him very much. As when
a traveller writes of a far country, he tries to make it seem worth all
the trouble he took to go there, so a critic must find enough bad about
a book to make his article on it important and interesting.
Public-domain text, read in full here on John Shaqi.
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