The Continental Monthly, Vol. 3, No. 1 January 1863: Devoted To Literature And National Policy — John Shaqi
The Continental Monthly, Vol. 3, No. 1 January 1863: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 3, No. 1 January 1863: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Fireworks and a ball at the Governor's palace closed that saint's day;
and the next afternoon our artists left the town to return to Segni; but
as toward midnight they began to ascend the long, steep road leading to
the town, they were overtaken by a thunderstorm, which for grandeur
equalled anything that Caper at least had ever seen. The lightning was
nearly incessant, at one flash revealing the valley below them, and
distant mountain peaks after peaks trembling in white light, then all
black as black could be; patches of road in front of the old carriage,
silver one second, sable another; while the thunder cracked and roared,
echoing and reechoing from rock to rock, ringing away up the wild gorge
around which the road wound. The rain fell in torrents, and pebbles and
stones loosened from the mountain sides came falling around them.
Francesco, the driver, on foot, urged the tired horses onward with
blows and the most powerful language he could bring to bear; he accused
the off-horse of being a pickpocket and an _arciprete_, and a robber of
a small family, of which Francesco assured him he knew he was the
father. Then the mare Filomena came in for her share of vilifications,
being called a '_giovinastra_ (naughty girl), a _vecchierellaccia_ (vile
old hag), a--' Here the rain, pebbles, lightning, and thunder
interrupted the driver, and Rocjean told him to take breath and a pull
at his flask, which was filled with _Sambuca_. Thus refreshed, although
soaked to the skin, Francesco livened up, and from despondency passed to
hope, then to joy, finally landing the old carriage near the gate of
Segni, in time for the artists to see far below them the clouds rolling
rapidly away, and hear the thunder grumbling far off, over some other
town, some other benighted travellers.
VALMONTONE was the next town visited, and the festival in honor of its
patron saint, Luigi Gonzago, was a decided success; the singing in the
church operatically excellent; a good-sized tombola; a funny dinner in
the back room of a grocery store, one half of the floor of which was
covered with shelled corn, while the other half was occupied by the
united legs of two tables, a dozen chairs, four dogs, one cat, six male
and three female country people. There was a lamb roasted whole, a small
barrel of wine, plenty of bread, find-your-own-knives-and-be-happy
dinner. Coming out of this small den, and passing a fine large house,
opposite the grand palace of the Prince of Valmontone, behold an Italian
acquaintance of Caper's standing in a balcony with a very handsome
woman; another moment, and Caper was invited in, and passed from poverty
to wealth in the twinkling of an eye. Rooms full of guests, tables
covered with damask linen, silver, flowers, crystal glasses, delicate
food (too late!), good wine (just in time!), charming ladies.
'_Condessa_, permit me to present Signor' Cahpeer, Americano.'
Public-domain text, read in full here on John Shaqi.
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