The Continental Monthly, Vol. 3, No. 1 January 1863: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 3, No. 1 January 1863: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
He went, and Caper and Giulia were left seated, talking merrily over the
wine. There were stars shining when Giulia bid good night to Caper, yet
Pepe did not return; he had seized some new idea, may-be the pretty
Roman who sang at the concert. Then Caper saddled his horse and rode out
into the night--glad that he had met black-eyed Giulia.
The night rides up the mountain! Here's romance, real and beautiful. Are
you not treading an old Roman road, over which the legions have marched
to victory, war chariots rattled? Up the mountains, on the old road once
leading over the mountains to Terracina, the _Tarracina_ of the Romans,
who made it one of their naval stations; up that road you go, trusting
solely to your horse, one slip of whose foot would send you into
eternity _via_ a ravine some hundred feet sheer down. Here, bright light
from a _casina_ where the contadini are loading mules with grapes to be
pressed in the city up there near the stars! High above you, nothing but
a wall of black rock, up, up, so high! Stars gleaming down, the comet
tailing from side to side of the ravine, while the path in the ragged,
jagged, storm-gullied rock is so dark you see nothing: your horse stops,
his hind feet slip--no! he clings, his hoofs are planted firm; up he
goes, and there, in the hands of Providence, you are tossed and pitched,
as he winds up and plunges down. The merry ringing, jingling bells of
mules ahead, and the voices of their drivers: turn a corner, and the
bright light of torches flashes in your eyes. Look again and earnestly
at the beautiful scene: mules, drivers, black rocks, olive trees above,
all flamboyant in the ruddy light, appearing and disappearing; a weird,
wild scene. Up, up, long is the way; past the fountain where the stars
are flashing in the splashing waters; past gardens; past the mountain
path at last. _Ecco_, the inn of Gaetano.
ANAGNI held its festival in honor of San Magno (_Prottetore della
Citta_) on the 19th day of August. Gaetano, the landlord, invited Caper
to attend it, putting his famous white horse at the disposal of the
artist, accompanying him on a small bay beast that was extremely fond of
showing his heels to the surrounding objects. Leaving Segni about ten
o'clock in the morning, they had hardly reached a bridle path down the
mountain, nothing more in fact than a gully, when they were joined by a
cavalcade of four other Segnians. One of them, the 'funny fellow' of the
party, was mounted on a very meek-looking donkey, and enlivened the hot
ride across the valley of the Sacco by spasmodic attempts to lead the
cavalcade and come in ahead of the others. He had a lively time as they
approached the city, and a joke with every foot passenger on the way;
but Gaetano, whose reserve was one of his strong points, and who was
anxious to enter Anagni under favorable auspices, gave the word to
Caper, and in a few minutes they left cavalcade and donkey-rider far
behind.
Public-domain text, read in full here on John Shaqi.
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