The Continental Monthly, Vol. 3, No. 1 January 1863: Devoted To Literature And National Policy — John Shaqi
The Continental Monthly, Vol. 3, No. 1 January 1863: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 3, No. 1 January 1863: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
The town itself looks as if it had just been kicked out of a theatre.
Round towers at entrance gates, streets narrow and all up hill, the
tiles on the houses running down to see what is going on in the gutter,
quaint old houses, gray with time, with latticed windows, queer old
doors, a grand old castle in ruins. It is one of the scenes you long so
much to see before you come abroad, and which you so seldom find along
the Grande Route. Spend a summer in the mountain towns of Italy! among
the Volscian mountains or hills--and have your eyes opened.
As Caper entered the gate, the first objects meeting his sight were: a
procession of genuine pilgrims, dressed precisely as you see them in
Robert le Diable, or Linda di Chamouni, or on the stage generally--long
gray robes down to their feet, cocked hats with cockle shells, long
wands; some barefoot, some with sandals: on they passed, singing
religious songs. Then came the peasantry, all in perfect theatrical
harmony, costumes rigidly correct _a la Sonnambula_. German artists
dressed in Sunday clothes _a la Der Freyschutz_. A cafe with festoons of
lemon-peel hung from window to window--they are not up to this idea in
_Fra Diavolo_. Pretty girls in latticed windows, with red boddices,
white sleeves, flowers in their hair--_legitimate Italian drama_.
Crockery-ware in piles--_low comedy_. A man with a table, Sambuca and
Acqua-vita bottles on it, and wee glasses, one cent a drink:
_melodrama_. Fresh oranges and figs, pumpkin-seed and pine cones; a
house with mushrooms strung on thread, hanging from window to
window--this was not for festival display, but is the common way of the
country. Notices of the _festa_, containing programme of the day,
including amusements, ecclesiastical and secular, hung up alongside the
stands where they were selling lottery tickets--_tragedy_. Fountains,
with groups of peasantry drinking, or watering horses and
donkeys--_pantomime_. Priests, in crow-black raiment, and canal-boat or
shovel hats--_mystery_. Strangers from Rome, in the negro-minstrel style
of costume, if young men; or in the rotund-paunch and black-raiment
dress, if elderly men; or in the _chiffonee_ style, if Roman women
attempting the last Parisian fashion--_farce_.
Here are the booths with rosaries, crucifixes, Virgin Mary's holy-water
holders, medals of Pio Nono, or jewelry; gold crescent earrings,
_spadine_ (long silver hair pins); silver hearts, legs, arms, for votive
offerings, and crosses without number.
Caper entered the church; it was filled, and stifling with heat and
frankincense, and contadini, and wax lights burning before the shrine,
on which the sun shone. There were beautiful faces among the _pajine_
(people in fine raiment), showing what can be made from the _contadine_
(people in coarse clothes) by not overworking them.
Public-domain text, read in full here on John Shaqi.
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