The Continental Monthly, Vol 3 No 3, March 1863: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol 3 No 3, March 1863: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
I am at last resolved. This taunting devil shall possess me no longer.
At least I will meet him face to face. I have read that the face of a
dead man is as though he understood the cause of all things, and was
therefore profoundly at rest, _I_ will know the cause of my wretched
fate, and will be at rest. My pistols lie loaded by my side--I shall die
to-night. To-morrow, twelve awestruck and trembling men will come and
look at me. They will ask each other: 'What could have been his motive
for the rash act.' Rash! my face will be calmer than theirs, for my
struggles in this life will be over; and I shall have gained--perhaps
knowledge, perhaps oblivion, but certainly victory. And to-night, as the
clock strikes twelve, there will be shrieks and horror in this room. No
matter: I shall have been more kind to those who utter them than they
know of, for they will not have known the cause until they have read
these lines.
And yet most people would esteem me a happy man. I am rich in all that
the world calls riches. I sit in a room filled with luxuries; a few
steps would bring me into the midst of guests, among whom are noble men
and women, sweet music, rare perfumes, glitter and costly show. My life
has been spent amid the influences of kind friends, good parents, and
culture in all that is highest and worthiest in literature and art; and
I can recall scenes as I write, of days that would have been most happy
but for the blight that has been upon me always. I think I see now the
pleasant parlor in the old house at home. Here sits our mother, a little
gray, but brisk and merry as a cricket; there our father, a
well-preserved gentleman of fifty, rather gratified at feeling the first
aristocratic twinges of gout, and whose double eyeglass is a chief
feature in all he says; there is Bill, poring over Sir William Napier's
'Peninsular War;' there is Charles, just rushing in, with a face the
principal features in which are redness and hair, to tell us that there
is another otter in the mill stream in the meadow; there is my little
sister, holding grave talk with dear Dollie, and best (or worst) of all,
there is cousin Lucy--cousin Lucy, with her brown hair, and soft, loving
eyes and quiet ways. Where are they all now? Charley went to London, was
first the favorite of the clubs, next a heartless rake, and finally,
being worn out, and, like Solomon, convinced that all was vanity, went
into the Church to become that most contemptible of all creatures, a
fashionable preacher; my father and mother are laid side by side in the
aisle of the old church on the hill, where their virtues are sculptured
in marble, for the information of anxiously curious mankind; sister Mary
no longer talks to dolls, though a flock of little girls, who call her
mother, do. Bill, poor Bill, lies far away in the Crimea, with the
bullet of a gray-coated Russian in his heart. And Lucy--but it is to her
I owe what I am, and what I am about to do.
Public-domain text, read in full here on John Shaqi.
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