The Continental Monthly, Vol. 5, No. 3, March, 1864: Devoted to Literature and National Policy — John Shaqi
The Continental Monthly, Vol. 5, No. 3, March, 1864: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 5, No. 3, March, 1864: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
These geographical details may seem uninteresting, but if the writer had
possessed them eight years ago, when first making the near acquaintance
of the Catskills, many a mystification might have been avoided, and many
a pleasant excursion, now only known to the fancy, have been found
practicable. One great attraction of the Catskills is, that the greater
number of the spots chiefly interesting are within walking or driving
distance from the chief points of sojourn. Visitors in general confine
themselves to the Mountain House and its immediate vicinity, and hence
see but little of the beauties hidden among the cliffs and ravines of
the inner peaks. The view from the Mountain House plateau is extensive,
but tame and monotonous in character; the horizon is not interesting,
and the cloud scenery is far more impressive than that of the land
beneath. The views from the very easily ascended North or South
Mountains, where, in addition to the river valley, the eye embraces the
lakes, the opening of the Clove, and the distant mountains toward
Lexington, are far superior. Clum's Hill, a terraced eminence, visible
from many points among the Catskills, and the Parker Mountain, east of
Tannersville, both offer peculiar and interesting prospects; but the
king of views is that obtained from the cliffs of the South Mountain
overhanging the Clove. This vista has furnished sketches for two
remarkable pictures painted by that rare artist and genuine son of
Helios, S. R. Gifford. Looking toward the west is the rolling plateau of
the Clove, with the far-away mountains beyond Hunter, the Parker and
North Mountains, the openings to the Stony and Plattekill Cloves, Clum's
Hill, and the silver thread of Haines's Fall. At the foot of the cliffs,
more than a thousand feet below, lie Brockett's (classic ground for
artists), the Clove road, Moore's Bridge, the Dog Fall, and the brawling
Kauterskill. Directly opposite stands the wooded crest of Round Top. The
entire mountain side is visible, and the cleft is so narrow that the
trees can almost be counted as they rise one above another to a height
of 2,500 feet above the roaring stream, which here receives two slender
cascades that have threaded their way through the tangled forest. Toward
the east, the river is visible, and the sloping mountain declivities
frame a lovely picture of lowland country and far-away Connecticut or
Massachusetts hills. The effects of light and shadow are such as we have
never seen surpassed. This earth there seems made of gold or crimson
lights, of gray seas of mist, or of every imaginable combination of
beautiful hues.
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