The Continental Monthly, Vol. 5, No. 5, May, 1864: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 5, No. 5, May, 1864: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Unfortunate! the glare of madness gleams in thine eyes. While thou wert
exposed to the gaze of thy brothers thou struggledst to control thyself,
because thou wouldst not their last memory of thee should be clouded;
but now thou art alone, thou throwest off restraint, and, driven on by
vengeance, hurriest forward. Thou startlest the owl as thou scalest the
rocks; she flaps her wing, and gazes on thee with round eyes of wonder;
the fox, baying in the moonlight, steals into the gloom; the wolves
howl in the ravine as thou rushest through--thou hearest not their
cries, they fly before the wild splendor of thine eyes! Thou readiest
the plain. Corpse-lights from the swamps flit on with thee; wildly
laughing, thou criest: 'Race on with me, friends!' They dance round thy
cap, and bathe thy breast with streams of pale, blue light; then, joined
in brotherly embrace, for a moment ye speed together on; but the
grave-lights are the first to die; then, a solitary shadow, thou
flittest darkly over the meadows, and approachest the castle of thine
ancestors.
It shines with innumerable lights. The terraced gardens with their walks
and perfumed shrubs lie so silently in the bright moonlight, they seem
dreaming of the bridal bliss, the echo of the wedding music cradling
them to sweeter sleep. The flying footsteps of the chieftain are
suddenly arrested--he thinks he hears the opening chant of the
bridesmaids' song, though so distant it seems rather dream than reality.
He listens. He knows the ancient custom; he certainly hears the chorused
strophes, the fresh, clear female voices, He rushes forward now, he
buries his nails in the fissures of the walls, he clambers up,
suspending himself in the air, his feet cling to the moss-grown stones,
he seizes a vine, swings himself forward, gains the top of the wall, and
the crushed grasses groan as he leaps down upon them. Having touched the
earth within the enclosure, he rises up with triple power, and bounds
into the leafy labyrinth. Oaks, ashes, pines, and firs, the remains of
the great forest, are around him. Thickets, vineyards, and meadows lie
in the moonlight, brooks and fountains murmur, nightingales sing; he
reaches the trailing willows where the long branches droop into the blue
waters of the lake, from whose depths the stars of heaven smile upon
him. He had played under these trees as a happy boy, swum in these clear
waves--but the memories of the past must not detain him now. He reaches
the bower where the jessamines bloom at the foot of the lower terrace.
This was the spot in which the maiden had revealed her soul to her
exiled brother; here had her holy promise kindled her blue eyes, and the
high resolve of its keeping rested on her pure brow;--he groans aloud,
but stops not, keeping his face steadily turned to the gray wall of the
castle. Certain of his course, whether in light or shadow, he still
hurries on. Winding among orange trees and fountains, he enters the
vaulted archway which leads to the castle.
Public-domain text, read in full here on John Shaqi.
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