The Continental Monthly, Vol. 5, No. 5, May, 1864: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 5, No. 5, May, 1864: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Ascending with every step, he
stands at last upon a level with its pillared portico. Taking the long
plume from his cap, he glides from beneath the vault of the archway. No
one is near. Songs and shouts are on his left; there then must be the
hall of festival. Silence reigns on his right, and the long ranges of
windows glitter only with the light of the moon. At the end of the long
gallery and near the angle of the western tower, lamps are still
burning; a wide glass door stands partly open--it seems to him he hears
a low moan, but so light, so inaudible, it is caught through the
divining of the soul rather than by the hearing of the ear. But he has
heard it. Leaving the shadow of the vaulted passage, he emerges into the
light, like one rising from the dead; imploring his steps not to betray
him, and supporting himself on balustrades and pillars, he glides on. As
he approaches the half-open door, he sees the long veils of the windows
floating like snow-wreaths in the air; behind these thin curtains he
feels that Life and Death, hand clasped in hand, await him. He falters,
stops, presses his hand on his heart, but his fingers encounter the cold
steel of his sword; he grasps it firmly, approaches, leans his forehead
on the panes of the wide gothic door--strange that the throbbing brain
burst not its narrow bounds!
* * * * *
He sees nothing at first but fiery sparks and black spots from the
seething of his heated brain. The long muslin draperies are sometimes
lifted by the wind, and again close their veils of mist; the silver lamp
flashes on his eyes for a moment, and again vanishes from his view; but,
as his sight grows clearer, the great mirror with its frame of gold
stands before him--necklaces, bracelets, and chains flash from the
toilet before it. He trembles no longer, he ceases to make the sign of
the cross, he sees distinctly now--under the floating flow of purple
drapery the bride is sitting on the bed alone. The flowers thrown over
her by the choir of singing bridesmaids still cluster on her hair and
breast; her little feet are almost buried in the fallen rose leaves. She
sighs as if utterly unconscious of herself, thoughtless of the pain she
suffers--as if her life were only anguish! The flowers droop from her
bosom and glide to the ground; and, as the violets, myrtles, and lilies
fall over her dress of snow, the great tears roll slowly down her pallid
cheeks with every deep-drawn sigh.
Public-domain text, read in full here on John Shaqi.
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