Dudley did not dislike the illustration of his new acquaintance's views; but he remarked that he did not touch upon any definite point, but kept to generals; and having no inclination himself for religious discussions, he thanked Mr. Filmer again for his kindness, and asked him if there were any objects of particular interest within the limits of a walk before breakfast. "One which for me has much interest," replied the priest: "the ruins of a priory, and of the church once attached to it, which lie just beyond the park walls. I am ready to be your conductor this moment, if you please." Dudley expressed his willingness to go; Mr. Filmer got his hat, and in a few minutes they issued forth into the fresh air. Taking their way to the right, they left the avenue of trees upon the other hand; and, by a well-worn path over the grassy slopes of the park, they soon reached the wall, over which they passed by a stone style, and then descended a few hundred yards into a little wooded dell, with a very bright but narrow stream running through it. A well-trimmed path, through the copse brought them, at the end of five minutes more to an open space bosomed in the wood, where stood the ruin. It was a fine specimen, though much decayed, of that style of architecture which is called Norman; a number of round arches, and deep, exquisitely chiselled mouldings, were still in good preservation; and pausing from time to time to look and admire, Dudley was led on by his companion to what had been the principal door of the church, the tympanum over which was quite perfect. It was highly enriched with rude figures; and the tutor gazed at it for some time in silence, trying to make out what the different personages represented could be about. Mr. Filmer suffered him, with a slight smile, to contemplate it uninterruptedly for some time; but at length he said, "It is a very curious piece of sculpture that. If you remark, on the right-hand side there is represented a hunt, with the deer flying before the hounds, and a number of armed men on horseback following. Then in the next compartment you see dogs and men again, and a man lying transfixed by a javelin." "But the third is quite a different subject," said Dudley: "a woman, seemingly singing and playing on a harp, with a number of cherubim round her, and an angel holding a phial; and the fourth compartment is different also, showing two principal figures embracing in the midst of several others, apparently mere spectators." "It is, nevertheless, all one story," said the priest; "and is, in fact, the history of the foundation of this church and priory, though connected with a curious legend attached to three families in this neighbourhood, of each of which you know something. I will tell it to you as we return; but first let us go round to the other side, where there is a fragment of a very beautiful window."