The Cook's Wedding and Other StoriesChekhov, Anton Pavlovich
General
The Cook's Wedding and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"Varka, wash the steps outside; I am ashamed for the customers to
see them!"
Varka washes the steps, sweeps and dusts the rooms, then heats
another stove and runs to the shop. There is a great deal of work:
she hasn't one minute free.
But nothing is so hard as standing in the same place at the kitchen
table peeling potatoes. Her head droops over the table, the potatoes
dance before her eyes, the knife tumbles out of her hand while her
fat, angry mistress is moving about near her with her sleeves tucked
up, talking so loud that it makes a ringing in Varka's ears. It is
agonising, too, to wait at dinner, to wash, to sew, there are minutes
when she longs to flop on to the floor regardless of everything,
and to sleep.
The day passes. Seeing the windows getting dark, Varka presses her
temples that feel as though they were made of wood, and smiles,
though she does not know why. The dusk of evening caresses her eyes
that will hardly keep open, and promises her sound sleep soon. In
the evening visitors come.
"Varka, set the samovar!" shouts her mistress. The samovar is a
little one, and before the visitors have drunk all the tea they
want, she has to heat it five times. After tea Varka stands for a
whole hour on the same spot, looking at the visitors, and waiting
for orders.
"Varka, run and buy three bottles of beer!"
She starts off, and tries to run as quickly as she can, to drive
away sleep.
"Varka, fetch some vodka! Varka, where's the corkscrew? Varka, clean
a herring!"
But now, at last, the visitors have gone; the lights are put out,
the master and mistress go to bed.
"Varka, rock the baby!" she hears the last order.
The cricket churrs in the stove; the green patch on the ceiling and
the shadows from the trousers and the baby-clothes force themselves
on Varka's half-opened eyes again, wink at her and cloud her mind.
"Hush-a-bye, my baby wee," she murmurs, "and I will sing a song to
thee."
And the baby screams, and is worn out with screaming. Again Varka
sees the muddy high road, the people with wallets, her mother
Pelageya, her father Yefim. She understands everything, she recognises
everyone, but through her half sleep she cannot understand the force
which binds her, hand and foot, weighs upon her, and prevents her
from living. She looks round, searches for that force that she may
escape from it, but she cannot find it. At last, tired to death,
she does her very utmost, strains her eyes, looks up at the flickering
green patch, and listening to the screaming, finds the foe who will
not let her live.
That foe is the baby.
She laughs. It seems strange to her that she has failed to grasp
such a simple thing before. The green patch, the shadows, and the
cricket seem to laugh and wonder too.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account