The Copy-Cat, and Other StoriesFreeman, Mary Eleanor Wilkins
General
The Copy-Cat, and Other Stories
Freeman, Mary Eleanor Wilkins
New England -- Social life and customs -- Fiction; Short stories
“If you think this is a laughing matter, Mrs. Jennings, I do not,” said
Mrs. Diantha, and again her dislike and sorrow at the sight of that
sweet, mirthful face was over her. It was a face to be loved, and hers
was not.
“Why, I went up-stairs and kissed the child good night, and never
suspected,” laughed Lily's mother.
“I got Aunt Laura's curly, light wig for her,” explained Lily, and Mrs.
Jennings laughed again.
It was not long before Amelia, in her gingham, went home, led by her
mother--her mother, who was trembling with weakness now. Mrs. Diantha
did not scold. She did not speak, but Amelia felt with wonder her little
hand held very tenderly by her mother's long fingers.
When at last she was undressed and in bed, Mrs. Diantha, looking very
pale, kissed her, and so did both grandmothers.
Amelia, being very young and very tired, went to sleep. She did not know
that that night was to mark a sharp turn in her whole life. Thereafter
she went to school “dressed like the best,” and her mother petted her as
nobody had ever known her mother could pet.
It was not so very long afterward that Amelia, out of her own
improvement in appearance, developed a little stamp of individuality.
One day Lily wore a white frock with blue ribbons, and Amelia wore one
with coral pink. It was a particular day in school; there was company,
and tea was served.
“I told you I was going to wear blue ribbons,” Lily whispered to Amelia.
Amelia smiled lovingly back at her.
“Yes, I know, but I thought I would wear pink.”
THE COCK OF THE WALK
DOWN the road, kicking up the dust until he marched, soldier-wise, in a
cloud of it, that rose and grimed his moist face and added to the heavy,
brown powder upon the wayside weeds and flowers, whistling a queer,
tuneless thing, which yet contained definite sequences--the whistle of
a bird rather than a boy--approached Johnny Trumbull, aged ten, small of
his age, but accounted by his mates mighty.
Johnny came of the best and oldest family in the village, but it was
in some respects an undesirable family for a boy. In it survived, as
fossils survive in ancient nooks and crannies of the earth, old traits
of race, unchanged by time and environment. Living in a house lighted
by electricity, the mental conception of it was to the Trumbulls as the
conception of candles; with telephones at hand, they unconsciously still
conceived of messages delivered with the old saying, “Ride, ride,”
etc., and relays of post-horses. They locked their doors, but still had
latch-strings in mind. Johnny's father was a physician, adopting modern
methods of surgery and prescription, yet his mind harked back to cupping
and calomel, and now and then he swerved aside from his path across the
field of the present into the future and plunged headlong, as if for
fresh air, into the traditional past, and often with brilliant results.
Public-domain text, read in full here on John Shaqi.
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