The Copy-Cat, and Other StoriesFreeman, Mary Eleanor Wilkins
General
The Copy-Cat, and Other Stories
Freeman, Mary Eleanor Wilkins
New England -- Social life and customs -- Fiction; Short stories
She always remembered one little dark man with keen eyes who had seen
her disappearing through her door of a Sunday night when all these gay,
bedraggled birds were at liberty and the fun ran high. “Great Scott!”
the man had said, and Margaret had heard him demand of Jack that she be
recalled. She obeyed, and the man was introduced, also the other members
of the party. Margaret Lee stood in the midst of this throng and heard
their repressed titters of mirth at her appearance. Everybody there was
in good humor with the exception of Jack, who was still nursing his bad
luck, and the little dark man, whom Jack owed. The eyes of Jack and the
little dark man made Margaret cold with a terror of something, she
knew not what. Before that terror the shame and mortification of her
exhibition to that merry company was of no import.
She stood among them, silent, immense, clad in her dark purple silk gown
spread over a great hoopskirt. A real lace collar lay softly over her
enormous, billowing shoulders; real lace ruffles lay over her great,
shapeless hands. Her face, the delicacy of whose features was veiled
with flesh, flushed and paled. Not even flesh could subdue the sad
brilliancy of her dark-blue eyes, fixed inward upon her own sad state,
unregardful of the company. She made an indefinite murmur of response
to the salutations given her, and then retreated. She heard the roar of
laughter after she had squeezed through the door of her room. Then she
heard eager conversation, of which she did not catch the real import,
but which terrified her with chance expressions. She was quite sure that
she was the subject of that eager discussion. She was quite sure that it
boded her no good.
In a few days she knew the worst; and the worst was beyond her utmost
imaginings. This was before the days of moving-picture shows; it was
the day of humiliating spectacles of deformities, when inventions
of amusements for the people had not progressed. It was the day of
exhibitions of sad freaks of nature, calculated to provoke tears rather
than laughter in the healthy-minded, and poor Margaret Lee was a chosen
victim. Camille informed her in a few words of her fate. Camille was
sorry for her, although not in the least understanding why she was
sorry. She realized dimly that Margaret would be distressed, but she
was unable from her narrow point of view to comprehend fully the whole
tragedy.
“Jack has gone broke,” stated Camille. “He owes Bill Stark a pile, and
he can't pay a cent of it; and Jack's sense of honor about a poker debt
is about the biggest thing in his character. Jack has got to pay. And
Bill has a little circus, going to travel all summer, and he's offered
big money for you. Jack can pay Bill what he owes him, and we'll have
enough to live on, and have lots of fun going around. You hadn't ought
to make a fuss about it.”
Public-domain text, read in full here on John Shaqi.
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