The Copy-Cat, and Other StoriesFreeman, Mary Eleanor Wilkins
General
The Copy-Cat, and Other Stories
Freeman, Mary Eleanor Wilkins
New England -- Social life and customs -- Fiction; Short stories
Margaret, pale as death, stared at the girl, pertly slim, and common and
pretty, who stared back laughingly, although still with the glimmer of
uncomprehending pity in her black eyes.
“What does--he--want--me--for?” gasped Margaret.
“For a show, because you are so big,” replied Camille. “You will make us
all rich, Margaret. Ain't it nice?”
Then Camille screamed, the shrill raucous scream of the women of her
type, for Margaret had fallen back in a dead faint, her immense bulk
inert in her chair. Jack came running in alarm. Margaret had suddenly
gained value in his shrewd eyes. He was as pale as she.
Finally Margaret raised her head, opened her miserable eyes, and
regained her consciousness of herself and what lay before her. There was
no course open but submission. She knew that from the first. All three
faced destitution; she was the one financial asset, she and her poor
flesh. She had to face it, and with what dignity she could muster.
Margaret had great piety. She kept constantly before her mental vision
the fact in which she believed, that the world which she found so hard,
and which put her to unspeakable torture, was not all.
A week elapsed before the wretched little show of which she was to be a
member went on the road, and night after night she prayed. She besieged
her God for strength. She never prayed for respite. Her realization
of the situation and her lofty resolution prevented that. The awful,
ridiculous combat was before her; there was no evasion; she prayed only
for the strength which leads to victory.
However, when the time came, it was all worse than she had imagined. How
could a woman gently born and bred conceive of the horrible ignominy
of such a life? She was dragged hither and yon, to this and that little
town. She traveled through sweltering heat on jolting trains; she slept
in tents; she lived--she, Margaret Lee--on terms of equality with the
common and the vulgar. Daily her absurd unwieldiness was exhibited to
crowds screaming with laughter. Even her faith wavered. It seemed to her
that there was nothing for evermore beyond those staring, jeering faces
of silly mirth and delight at sight of her, seated in two chairs, clad
in a pink spangled dress, her vast shoulders bare and sparkling with a
tawdry necklace, her great, bare arms covered with brass bracelets, her
hands incased in short, white kid gloves, over the fingers of which she
wore a number of rings--stage properties.
Public-domain text, read in full here on John Shaqi.
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