The Copyright Question: A Letter to the Toronto Board of TradeMorang, George N. (George Nathaniel)
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The Copyright Question: A Letter to the Toronto Board of Trade
Morang, George N. (George Nathaniel)
Copyright -- Canada; Copyright, International
I was absent from Toronto when the Booksellers' Section framed and passed
its Report, and only returned to Toronto after it had been adopted at the
meeting of the Council of the Board. Knowing that the Council was being
misled, I communicated with the President and requested that I might be
heard before the Council, offering to explain the copyright question,
which I knew was little understood by the members, of whom only two or
three are publishers. The President frankly admitted to me that he had not
investigated the question, and told me he would bring my request before
the next meeting of the Council. I was somewhat surprised to receive a
letter from the President a few days afterwards declining to allow me to
be heard, and still more surprised to read that in his annual address to
the Board, delivered four days later, he energetically pressed upon the
Board the necessity for the legislation referred to in the resolution of
the Council.
I therefore take this means of presenting the true position of literary
copyright in Canada, a subject which is but little understood, and upon
which the Executive and the Council apparently did not desire
enlightenment.
Under the British Copyright Laws, which extend to Canada, a British or
Canadian author of a literary work has the undisputed right to his
manuscript; he may withhold, or he may communicate it, and in
communicating it he may limit the number of persons to whom it is
imparted, and impose such restrictions as he pleases upon the use and
printing of the work. Foreign reprints of such a work cannot be imported
into Canada. Canadian publishers are just as free to deal with authors
under the British Copyright Laws as publishers in the United Kingdom, and
are, therefore, on the same footing as the British publishers.
Public-domain text, read in full here on John Shaqi.
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