The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
"Oh, well," said I, and stretched myself at her feet, full
length,--which is supposed to be a picturesque attitude,--"why quarrel
over a name? It ought to be Gamelyn, anyhow; and, moreover, by the
kindness of fate, Orlando is golfing."
Rosalind frowned, dubiously.
"But golf is a very ancient game," I reassured her. Then I bit a
pine-needle in two and sighed. "Foolish fellow, when he might be--"
"Admiring the beauties of nature," she suggested.
Just then an impudent breeze lifted a tendril of honey-coloured hair
and toyed with it, over a low, white brow,--and I noted that Rosalind's
hair had a curious coppery glow at the roots, a nameless colour that I
have never observed anywhere else....
"Yes," said I, "of nature."
"Then," queried she, after a pause, "who are you? And what do you in
this forest?"
"You see," I explained, "there were conceivably other men in Arden--"
"I suppose so," she sighed, with exemplary resignation.
"--For you were," I reminded her, "universally admired at your uncle's
court,--and equally so in the forest. And while Alfred--or, strictly
speaking, Gamelyn, or, if you prefer it, Orlando,--is the great love of
your life, still--"
"Men are so foolish!" said Rosalind, irrelevantly.
"--it did not prevent you--"
"Me!" cried she, indignant.
"You had such a tender heart," I suggested, "and suffering was
abhorrent to your gentle nature."
"I don't like cynicism, sir," said she; "and inasmuch as tobacco is not
yet discovered--"
"It is clearly impossible that I am smoking," I finished; "quite true."
"I don't like cheap wit, either," said Rosalind. "You," she went on,
with no apparent connection, "are a forester, with a good cross-bow and
an unrequited attachment,--say, for me. You groan and hang verses and
things about on the trees."
"But I don't write verses--any longer," I amended. "Still how would
this do,--for an oak, say,--
"I found a lovely centre-piece
Upon the supper-table,
But when I looked at it again
I saw I wasn't able,
And so I took my mother home
And locked her in the stable."
She considered that the plot of this epic was not sufficiently
inevitable. It hadn't, she lamented, a quite logical ending; and the
plot of it, in fine, was not, somehow, convincing.
"Well, in any event," I optimistically reflected, "I am a nickel in. If
your dicta had emanated from a person in Peoria or Seattle, who hadn't
bothered to read my masterpiece, they would have sounded exactly the
same, and the clipping-bureau would have charged me five cents.
Maybe I can't write verses, then. But I am quite sure I can groan." And
I did so.
"It sounds rather like a fog-horn," said Rosalind, still in the
critic's vein; "but I suppose it is the proper thing. Now," she
continued, and quite visibly brightening, "you can pretend to have an
unrequited attachment for me."
"But I can't--" I decisively said.
Public-domain text, read in full here on John Shaqi.
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