The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
"Can't," she echoed. It has not been mentioned previously that Rosalind
was pretty. She was especially so just now, in pouting. And, therefore,
"--pretend," I added.
She preserved a discreet silence.
"Nor," I continued, with firmness, "am I a shambling, nameless,
unshaven denizen of Arden, who hasn't anything to do except to carry a
spear and fall over it occasionally. I will no longer conceal the
secret of my identity. I am Jaques."
"You can't be Jaques," she dissented; "you are too stout."
"I am well-built," I admitted, modestly; "as in an elder case, sighing
and grief have blown me up like a bladder; yet proper pride, if nothing
else, demands that my name should appear on the programme."
"But would Jaques be the sort of person who'd--?"
"Who wouldn't be?" I asked, with appropriate ardour. "No, depend upon
it, Jaques was not any more impervious to temptation than the rest of
us; and, indeed, in the French version, as you will find, he eventually
married Celia."
"Minx!" said she; and it seemed to me quite possible that she referred
to Celia Reindan, and my heart glowed.
"And how," queried Rosalind, presently, "came you to the Forest of
Arden, good Jaques?"
I groaned once more. "It was a girl," I darkly said.
"Of course," assented Rosalind, beaming as to the eyes. Then she went
on, and more sympathetically: "Now, Jaques, you can tell me the whole
story."
"Is it necessary?" I asked.
"Surely," said she, with sudden interest in the structure of
pine-cones; "since for a long while I have wanted to know all about
Jaques. You see Mr. Shakespeare is a bit hazy about him."
"_So_!" I thought, triumphantly.
And aloud, "It is an old story," I warned her, "perhaps the oldest of
all old stories. It is the story of a man and a girl. It began with a
chance meeting and developed into a packet of old letters, which is the
usual ending of this story."
Rosalind's brows protested.
"Sometimes," I conceded, "it culminates in matrimony; but the ending is
not necessarily tragic."
I dodged exactly in time; and the pine-cone splashed into the hazard.
"It happened," I continued, "that, on account of the man's health, they
were separated for a whole year's time before--before things had
progressed to any extent. When they did progress, it was largely by
letters. That is why this story ended in such a large package.
"Letters," Rosalind confided, to one of the pines, "are so
unsatisfactory. They mean so little."
Public-domain text, read in full here on John Shaqi.
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